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Bibliography

Texas Music Bibliography

(includes published and unpublished works relating to Southwestern music history created in collaboration with the Texas Music History office)

Books:

Blues/Gospel/Rhythm & Blues

Francis Edward Abernethy, Alan B. Govenar and Patrick Mullen, eds., Juneteenth Texas: Essays in African-American Folklore, Publications of the Texas Folklore Society, No. 54, (Denton: University of North Texas Press, 1996).

Johnnie Allan, [John Allen Guillot, comp. and ed.], Memories: A Pictorial History of South Louisiana Music, Volume 1: South Louisiana and East Texas Musicians, (Lafayette, LA: JADFEL Publishing Press, 1988).

Johnnie Allan and Bernice Larson Webb, Born to be a Loser: The Jimmy Donley Story, (Lafayette, LA: JADFEL Publishing, 1992).

Johnnie Allan, [John Allen Guillot, comp. and ed.], Memories: A Pictorial History of South Louisiana Music, 1920s-1980s, Vol. 1 & 2, South Louisiana and East Texas Musicians (Lafayette, LA: JADFEL Publishing Press, 1995).

Glen Alyn, I Say Me For A Parable: The Oral Autobiography of Mance Lipscomb, Texas Bluesman as told to and compiled by Glen Alyn, (New York: W.W. Norton & Co., Inc., 1993).

Susan Antone, Antone’s: The First 10 Years, (Austin: Blues Press, 1985).

Susan Antone, Picture The Blues...11th Anniversary, (Austin: Blues Press, 1986).

Moses Asch and Alan Lomax, eds., The Leadbelly Songbook, (New York: Oak Publications, 1962).

Shane K. Bernard, Swamp Pop: Cajun and Creole Rhythm and Blue, (Jackson, MS: University Press of Mississippi, 1996).

Stanley Booth, Rhythm Oil: A Journey Through the Music of the American South, (New York: Vintage Books, 1993).

Horace Clarence Boyer, How Sweet the Sound: The Golden Age of Gospel, (Washington, D.C.: Elliott and Clark Publishing, 1995).

Toby Byron and Pete Welding, eds., Bluesland, (New York: Dutton, 1991).

Samuel Barclay Charles, The Bluesmen: The Story and the Music of the Men Who Made The Blues, (New York: Oak Publications, 1967).

Samuel Charters, Country Blues, (New York: Da Capo, 1975).

Lawrence Cohn, ed., Nothing But the Blues: The Music and the Musicians, (New York: Abbeville Press, 1993).

Ronald D. Cohen, ed., Alan Lomax: Selected Writings, 1934-1997, (New York: Routledge Press, 2003).

Helen Oakley Dance, Stormy Monday: The T-Bone Walker Story, (New York: Da Capo Press, 1987).

Francis Davis, The History of the Blues, (New York: Hyperion Books, 1995).

Bob Dixon and John Godrich, Blues and Gospel Records, 1902-1943, (Essex, England: Storyville Publications, 1982).

Ted Fox, Showtime at the Apollo, (Rhinebeck, New York: Mill Road Enterprises, 2003).

Richard M. Garvin and Edmond G. Addeo, The Midnight Special: The Legend of Leadbelly, (New York: B. Geis Associates, 1971).

Dan Karlok, Antones: Home of the Blues (documentary film), (Austin: Silver Star Entertainment Group, 2005).

Linnell Gentry, A History and Encyclopedia of Country, Western and Gospel Music, second edition (Nashville, TN: Clairmont Corp., 1969).

Linnell Gentry, A History and Encyclopedia of Country, Western, and Gospel Music, (St. Clair Shores, MI: Scholarly Press, 1972).

Alan B. Govenar, African American Frontiers: Slave Narratives and Oral Histories, (Santa Barbara, California: ABC-CLIO, Inc., 2000).

Alan B. Govenar, The Life and Poems of Osceola Mays, (Racine, WI: Arcadia Press, 1989).

Alan B. Govenar, Living Texas Blues, (Dallas: Dallas Museum of Art, 1985).

Alan B. Govenar, Meeting The Blues: The Rise of the Texas Sound, (New York: De Capo, 1995).

Alan B. Govenar, Portraits of Community: African American Photography in Texas, (Austin: Texas State Historical Association, 1996).

Alan B. Govenar with Benny Joseph, The Early Years of Rhythm & Blues, (Houston: Rice University Press, 1990).

Alan Govenar and Jay Brakefield, Deep Ellum and Central Track: Where the Black and White Worlds of Dallas Converged, (Denton, Texas: University of North Texas Press, 1998).

David Graham, He Walks With Me: The Religious Experiences of Country Music Stars, (New York: Simon and Schuster, 1977).

Sheldon Harris, The Blues Who’s Who: A Biographical Dictionary of Blues Singers, (New York: Da Capo, 1989).

Daphne Duval Harrison, Black Pearls: Blues Queens of the 1920s, (New Brunswick, NJ: Rutgers University Presss, 1988).

Anthony Heilbut, The Gospel Sound: Good News and Bad Times, (New York: Limelight Editions; Distributed by Harper & Row, 1985).

Mary Lee Hester, Going to Kansas City, (Sherman: Early Bird Press, 1980).

C. Lee Hopkins, ed., The Stevie Ray Vaughan Anthology, (Dallas: C. Lee Hopkins, 1996).

Bruce Jackson, Wake Up Dead Man: Afro-American Work Songs of Texas Prisons, (Cambridge, MA: Harvard University Press, 1972).

Blind Lemon Jefferson, Blind Lemon Jefferson, edited by Bob Groom, (Knutsford, Cheshire, England: Blues World, 1970).

Hettie Jones, Big Star Fallin’ Mama: Five Women in Black Music, (New York: Viking Press, 1974).

Charles Keil, Urban Blues, (Chicago: University of Chicago Press, 1966).

Mike Leadbitter and Neil Slaven, Blues Records, 1943-1970, Volumes 1 & 2, (London, England: Record Information Services, 1987).

Keri Leigh, Stevie Ray: Soul to Soul, (Dallas: Taylor Publishing, 1993).

Alan Lomax, The Land Where the Blues Began, (New York: The New Press, 2002).

John A. Lomax and Alan Lomax, eds., Negro Folk Songs as Sung By Lead Belly: “King of the Twelve-String Guitar Players of the World”, (New York: Macmillan & Co., 1936).

Judy McCoy, Rap Music in the 1980s: A Reference Guide, (Metuchen, NJ: Scarecrow Press, 1992).

Rev. Raymond “Big Tex” McDonald, Jr., The USA Montage Treasure of Black Song Legends, (Austin: The Guiding Angel Church, 1995).

Allan Moore, ed., The Cambridge Companion to Blues and Gospel Music, (Cambridge, England, 2002).

Heiner Meuckenberger, Meet Me Where They Play the Blues: Jack Teagarden Und Seine Musik, (Gauting-Buchendorf, Germany: Oreos, 1986).

Joseph R. Mussulman, Dear People: Robert Shaw, A Biography, (Bloomington: Indiana University Press, 1979).

Scott Nance, Recycling the Blues: ZZ Top, (Las Vegas, NV: Pioneer, 1991).

Joe Nick Patoski and Bill Crawford, Stevie Ray Vaughan: Caught In The Crossfire, (New York: Little, Brown and Co. 1993).

Robert Pruter, The Blackwell Guide to Soul Recordings, (Cambridge, MA: Blackwell Publishers, 1993).

Guthrie P. Ramsey, Jr., Race Music: Black Cultures from Bebop to Hip-Hop, (Berkeley, California: University of California Press, 2003).

Brian Robertson, ed., The Little Blues Book, (Chapel Hill, NC: Algonquin Books, 1996).

Ronin Ro, Gangsta: Merchandising Rhymes of Violence, (New York: St. Martin’s Press, 1996).

Eric Sackheim, ed., The Blues Line: A Collection of Blues Lyrics From Leadbelly to Muddy Waters, (Hopewell, NJ: Ecco Press, 1993).

James M. Salem, The Late Great Johnny Ace and the Transition from R&B to Rock ‘n’ Roll, (Urbana, Illinois: University of Illinois Press, 1999).

Robert Santelli, The Big Book of Blues: A Biographical Encyclopedia, (New York: Penguin Books, 1993).

Arnold Shaw, Honkers and Shouters: The Golden Years of Rhythm and Blues, (New York: Collier Books, 1978).

Peter J. Silvester, A Left Hand Like God: A History of Boogie-Woogie Piano, (New York: Da Capo Press, 1989).

Texas Music Museum, “Rags to Rap: African-American Contributions to Texas Music,” booklet published by the Texas Music Museum, Austin, 1997.

Texas, Office of the State Auditor, Special Investigation: Texas Southern University “Ocean of Soul” Band, (Austin: Office of the State Auditor, 1993).

W. H. Thomas, Some Current Folk-Songs of the Negro, (Denton: University of North Texas Press, 1912).

Brian Ward, Just My Soul Responding: Rhythm and Blues, Race Relations and Black Consciousness, (Berkeley: University of California Press, 1998).

Sarah Ann West, Deep Down Hard Blues: A Tribute to Lightnin’ Hopkins, (Lawrenceville, VA: Brunswick Pub. Corp., 1995).

Burton Wilson, Burton’s Book of the Blues, (Austin: Edentata Press, 1977).

Charles Wolfe and Kip Lornell, The Life and Legend of Leadbelly, (New York: HarperCollins, 1992).

Bill Wyman, Blues Odyssey: A Journey to Music’s Heart and Soul, (New York: DK Publishing, Inc., 2001).

Jerry Zolten, Great God A’Mighty! The Dixie Hummingbirds: Celebrating the Rise of Soul Gospel Music, (London: Oxford University Press, 2003).

Country/Folk

Francis E. Abernethy, Singin’ Texas, (Denton: University of North Texas Press, 1994).

Francis E. Abernethy, What’s Going On? In Modern Texas Folklore, (Austin: Encino Press, 1976).

Alden, Grant and Peter Blackstock, No Depression: Definitive Alternative Country Profiles, (Nashville: Dowling Press, 1999).

Bob Allen, Waylon & Willie: The Full Story in Words and Pictures of Waylon Jennings and Willie Nelson, (New York: Quick Fox, 1979).

Bob Allen, George Jones: The Saga of an American Singe, (Garden City, NJ: Doubleday, 1984).

Bob Allen, George Jones: The Life and Times of a Honky Tonk Legend, (Secaucus, NJ: Carol Pub. Group, 1994).

Bob Allen, ed., The Blackwell Guide to Recorded Country Music, (Cambridge, MA: Blackwell, 1994).

Jules Verne Allen, Cowboy Lore, (San Antonio: Naylor Printing Company, 1933).

Tommy Allen, as told to Jack Lane, The Texas Honky-Tonk Trail, (Bloomington, Indiana: 1st Books, 2004).

Austin County Historical Commission, ed., Dance Halls of Austin County, (Bellville: Austin County Historical Commission, 1993).

Gene Autry with Mickey Herskowitz, Back in the Saddle Again, (New York: Doubleday, 1978).

Michael Bane, The Outlaws: Revolution in Country Music, (New York: Doubleday, 1978).

Michael Bane, Willie: An Unauthorized Biography of Willie Nelson, (New York: Dell, 1984).

Norma Barthel, Ernest Tubb Discography, 1936-1969, (Roland, OK: Ernest Tubb Fan Club Enterprises, 1969).

Norma Barthel, Ernest Tubb, The Original E.T., (Roland, OK: Country Roads Publications, 1984).

Colleen Bartlett, Willie Nelson: Official Discography, (Dorsett, VT: [n.p.], 1990).

Mark Bego, George Strait: The Story of Country’s Living Legend, (New York: Kensington Books, 1997).

Edward Allen Bishop, Memorial to Jimmie Rodger, (Marion, MS: House of Alohas, 1974).

Mody Coggin Boatright, Wilson M. Hudson and Allen Maxwell, eds., A Good Tale and a Bonnie Tune, (Dallas: Southern Methodist University Press, 1964).

Mody Coggin Boatright, Gib Morgan, Minstrel of the Oil Fields, (Denton: University of North Texas Press, 1945).

Mody Coggin Boatright, Wilson M. Hudson and Allen Maxwell, eds., Texas Folk and Folklore, (Denton: University of North Texas Press, 1954).

Mody Coggin Boatright, Singers and Storytellers, (Denton: University of North Texas Press, 1960).

Johnny Bond, The Tex Ritter Story, (New York: Chappell Music, 1976).

Johnny Bond, The Recordings of Jimmie Rodgers: An Annotated Discography, (Los Angeles: John Edwards Memorial Foundation, 1978).

Jean A. Boyd, The Jazz of the Southwest: An Oral History of Western Swing, (Austin: University of Texas Press, 1998).

Jean A. Boyd, We’re the Light Crust Doughboys from Burrus Mill, (Austin: University of Texas Press, 2003).

Stanley Booth, Rhythm Oil: A Journey Through the Music of the American South, (New York: Vintage Books, 1993).

Charles T. Brown, Music USA: America’s Country and Western Tradition, (Englewood Cliffs, N.J.: Prentice-Hall, 1986).

Len Brown and Gary Friedrich, The Encyclopedia of Country and Western Music, (New York, Tower Publications, 1971).

Mary A. Bufwack and Robert K. Oermann, Finding Her Voice: The Saga of Women in Country Music, (New York: Crown Publishers, 1993).

Gene Busnar, Superstars of Country Music, (New York: Julian Messner, 1984).

Tony Byworth, Giants of Country Music, (New York: Hamlyn, 1984).

Alan Cackett and Alec Foege, The Harmony Illustrated Encyclopedia of Country Music, (New York: Crown Trade Paperbacks, 1994).

David Cantwell, George Strait: An Illustrated Musical History, (New York: Boulevard Books, 1996).

Richard Carlin, The Big Book of Country Music: A Biographical Encyclopedia, (New York: Penguin, 1995).

Richard Carlin, Country Music: A Biographical Dictionary, (New York: Routledge Press, 2003).

Dolly Carlisle, Ragged But Right: The Life and Times of George Jones, (Chicago: Contemporary Books, 1984).

Joe Carr and Alan Munde, Prairie Nights to Neon Lights: The Story of Country Music in West Texas, (Lubbock: Texas Tech University Press, 1995).

Patrick Carr, ed., The Illustrated History of Country Music, (New York: Doubleday/Dolphin, 1980).

Betty Casey, Dance Across Texas, (Austin: University of Texas Press, 1986).

Bryan Chalker, Country Music, (London: Phoebus, 1976).

Samuel Charters, Country Blues, (New York: Da Capo, 1975).

Kenneth S. Clark, The Cowboy Sings Songs of the Ranch and Range, (New York: Paull-Pioneer Music Corp., 1932).

Kenneth S. Clark, The Cowboy Sings Traditional Songs of the Western Frontier Arranged for General Singing, (New York: Paull-Pioneer Music Corp., 1932).

Kenneth S. Clark, The Happy Cowboy and His Songs of Pioneer Days, (New York: Paull-Pioneer Music Corp., 1934).

Kenneth S. Clark, ed., Buckaroo Ballads, (New York: Paull-Pioneer Music Corp., 1940).

Bob Claypool, Saturday Night at Gilley’s, (New York: Delilah/Grove Press, Random House, 1980).

Lawrence Clayton and Joe Specht, eds., The Roots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

Tristam P. Coffin, Folksong and Folksong Scholarship, (Denton: University of North Texas Press, 1964).

Ace Collins, Tanya, (New York: St. Martin’s Paperbacks, 1995).

Columbia Pictures Publications, comp., Texas: Great Songs of the Lone Star State, (Miami: Columbia Pictures Publications, 1985).

Josiah Combs, Folksongs of the Southern United States, (Austin: University of Texas Press, 1967).

Charles Paul Conn, The Barbara Mandrell Story, (New York: Berkley Books, 1989).

Pansy Cook, The Saga of Jim Reeves: Country and Western Singer and Musician, (Los Angeles: Crescent Publications, 1977).

Daniel C. Cooper, Lefty Frizzell: The Honky-Tonk Life of Country Music’s Greatest Singer, (Boston, MA: Little, Brown and Co., 1995).

Country Music Foundation, ed., Country: The Music and the Musicians, From the Beginnings to the ‘90s, (New York: Abbeville Press, 1994).

Country Music Magazine, ed., The Comprehensive Country Music Encyclopedia, (New York: Times Books, 1994).

Albert Cunniff, Waylon Jennings, (New York: Kensington Publishing, 1985).

Nicholas Dawidoff, In the Country of Country: People and Places in American Music, (New York: Pantheon, 1997).

Fred Dellar, Alan Cackett, and Roy Thompson, The Harmony Illustrated Encyclopedia of Country Music, (London: Salamander Books, 1986).

John Mark Dempsey, The Light Crust Doughboys are on the Air: Celebrating Seventy Years of Texas Music, (Denton, Texas: University of North Texas Press, 2002).

R. Serge Denisoff, Waylon, (Knoxville: University of Tennessee Press, 1983).

Joan Dew, Singers and Sweethearts: The Women of Country Music, (Garden City, NY: Dolphin Books, 1977).

J. Frank Dobie, Follow de Drinkin’ Gou’d, (Austin: Texas Folklore Society, 1928).

J. Frank Dobie, Rainbow in the Morning: Texas Folk Songs, (Halboro, PA: Folklore Associates, 1965).

Arleigh Duff, Y’all Come, (Austin: Eakin Press, 1983).

Bob Dunbar, From Bob Wills to Ray Benson: A History of Western Swing Music, (Austin: Term Publications, 1988).

Steve Earle, Steve Earle in Quotes, (compiled, researched and published by Joanna Serraris, edited by John Weaver; The Hague, The Netherlands, 1997).

Don Edwards, Classic Cowboy Songs From The Minstrel On The Range, (Layton, UT: Gibbs Smith Publishers, 1994).

Ross Edwards, Fiddle Dust, (Denver, CO: Big Mountain Press, 1965).

Clifford Endres with Scott Newton, Austin City Limits, (Austin: University of Texas Press, 1987).

Colin Escott, Martin Hawkins and Hank Davis, The Sun Country Years: Country Music in Memphis, 1950-1959, (Bremen, West Germany: Bear Family Records, 1986).

Nick Evans and Jeff Horne, Songbuilder: The Life and Music of Guy Clark, (Kent, England: Amber Waves/Heartland Publishing, 1998).

Charles F. Faber, The Country Music Almanac, (Lexington, KY: Faber, 1978).

William Ferris and Mary Hart, Folk Music and Modern Sound, (Jackson: University Press of Mississippi, 1982).

Lanny Fiel, The Essential Texas Fiddle: Improvisation, Harmony and Style, (Lubbock: Texas Tech University Press, 1992).

Lanny Fiel, The Bob Wills Fiddle Legacy, (Lubbock: Texas Tech University Press, 1992).

Austin E. and Alta Stephens Fife, Ballads of the Great West, (Palo Alto, CA: American West Publishing Co., 1970).

Austin E. and Alta Stephens Fife, Cowboy and Western Songs: A Comprehensive Anthology, (New York, C. N. Potter, dist. by Crown Publishers, 1969).

Lana Nelson Fowler, ed., Willie Nelson Family Album, (Amarillo: H.M. Poirot & Company, 1980).

Aaron A. Fox, Real Country: Music and Language in Working-Class Culture, (Durham, North Carolina: Duke University Press, 2004).

Linnell Gentry, A History and Encyclopedia of Country, Western and Gospel Music, second edition, (Nashville, TN: Clairmont Corp., 1969).

Linnell Gentry, A History and Encyclopedia of Country, Western, and Gospel Music (St. Clair Shores, MI, Scholarly Press, 1972).

Cary Ginell and Kevin Coffey, Discography of Western Swing and Hot String Bands, 1928-1942, (Westport, CT: Greenwood Press, 2001).

Cary Ginell, with special assistance from Roy Lee Brown. Milton Brown and the Founding of Western Swing, (Urbana, Illinois: University of Illinois Press, 1994).

David Goodman, Modern Twang: An Alternative Country Music Guide and Directory, (Lancaster, PA: Wild Boy Publishers, 1998).

Andrei Gorbatov, Wanted: Country Music in Russia and the Ex-USSR, (Moscow: Inter Media News Agency, 1993).

David Graham, He Walks With Me: The Religious Experiences of Country Music Stars, (New York: Simon and Schuster, 1977).

Bill Green, The Dancing Was Lively: Fort Concho, A Social History 1867 to 1882, (San Angelo: Fort Concho Sketches Publishing, 1974).

Douglas B. Green, Country Roots: The Origins of Country Music, (New York: Hawthorne Books, 1976).

Douglas B. Green, Singing in the Saddle: The History of the Singing Cowboy, (Nashville: Country Music Foundation Press & Vanderbilt University Press, 2002).

John Greenway, The Anatomy of a Genius: Woody Guthrie, (New York: Hootenanny Enterprises, 1964).

Hugh Gregory, Who’s Who in Country Music, (London, England: Weidenfield & Nicolson, 1993).

Nanci Griffith and Joe Jackson, Nanci Griffith’s Other Voices: A Personal History of Folk Music, (New York: Random House / Three Rivers Press, 1998).

Peter Guralnick, Lost Highway: Journeys and Arrivals of American Musicians, (Boston: Godine Press, 1979).

Woody Guthrie, Bound for Glory, (New York: New American Library, 1983).

Woody Guthrie, Pastures of Plenty: A Self-Portrait, (New York: Harper & Row, 1990).

Merle Haggard with Peggy Russell, Sing Me Back Home: My Story, (New York: Pocket Books, 1981).

Tommy X. Hancock, Zen and the Art of the Texas Two-Step: The Book on Dancing, (Austin: World Wide Publishing, 1997).

Nat Hentoff, Listen To The Stories: Nat Hentoff on Jazz and Country Music, (New York: HarperCollins, 1995).

Gérard Herzhaft and Jacques Brémond, eds., Guide de la Country Music et du Folk, (Paris: Librairie Arthéme Fayard, 1999).

Brian Hinton, South by Southwest: A Road Map to Alternative Country, (London: Sanctuary Publishing, 2003).

Honky Tonk Visions On West Texas Music: 1936-1986, (Lubbock: The Museum, Texas Tech University, 1986).

Dorothy Horstman, Sing Your Heart Out, Country Boy: Classic Country Songs and Their Inside Stories by the Men and Women Who Wrote Them, (Nashville, TN: Country Music Association and Vanderbilt University Press, 1995).

Kathleen Hudson, Telling Stories, Writing Songs: An Album of Texas Songwriters, (Austin: University of Texas Press, 2001).

Waylon Jennings, Waylon: An Autobiography, (New York: Warner Books, 1996).

Thomas S. Johnson, Willie Nelson: A Discographic Listing, (Danbury, CT: Mark Rothbaum and Associates, 1985).

George Jones with Tom Carter, I Lived To Tell It All, (New York: Villard Books, 1996).

Jeannette Keim and Robert Brule (eds), Texas, Our Texas, And Other Favorite Songs of the Lone Star State: A Volume of Music, History, and Art, (Irving: Cimarron Music, 1991).

Rod Kennedy, Music From The Heart: Rod Kennedy’s 50 Year Chronicle of His Life In Music With a Few Side Trips, (Austin: Eakin Press, 1998).

Kenn Kingsbury, Kingsbury’s Who’s Who in Country and Western Music, (Culver City, CA: Black Stallion Country Press, 1981).

Paul Kingsbury, ed., The Encyclopedia of Country Music: The Ultimate Guide to the Music, (New York: Oxford University Press, 1998).

Paul Kingsbury, The Grand Ole Opry History of Country Music: 70 Years of the Songs, the Stars, and the Stories, (New York: Villard Books, 1995).

Paul Kingsbury, ed., The Country Reader: Twenty-Five Years of the Journal of Country Music, (Nashville: Country Music Foundation Press & Vanderbilt University Press, 1996).

Joe Klein, Woody Guthrie: A Life, (New York: A. A. Knopf, 1980).

Ruth Sheldon Knowles, Hubbin’ It: The Life of Bob Wills, (Kingsport, TN: Kingsport Press, 1938).

Robert K. Krishef, Jimmie Rodgers, (Minneapolis: Lerner Publications Co., 1978).

Robert K. Krishef and Bonnie Lake, Western Stars of Country Music, (Minneapolis, MN: Lerner Publications Co., 1978).

Jeffrey J. Lange, Smile When You Call Me Hillbilly: Country Music’s Struggle for Respectability, 1939-1954, (Athens, Georgia: University of Georgia Press, 2004).

Margaret Larkin, Singing Cowboys: A Book of Western Songs, (New York: Alfred A. Knopf, 1931).

Jimmy Latham, The Life of Bob Wills: The King of Western Swing, (Odessa: Latham Pub., 1974).

Johnny Lee and Randy Wyles, Lookin’ For Love, (Austin: Diamond Back / Eakin Books, 1989).

Richard E. Lingenfelter, Richard Dwyer and David Cohen, Songs of the American West, (University of California Press, 1968).

Guy W. Logsdon, Mary Rogers and William Jacobson, Saddle Serenaders, (Layton, UT: Gibbs Smith, Publisher, 1994).

John A. Lomax, Adventures of a Ballad Hunter, (New York: Macmillan & Co., 1947).

John A. Lomax, Cowboy Songs and Other Frontier Ballads, (New York: Sturgis and Walton, 1910).

John A. Lomax, Songs of the Cattle Trail and Cow Camp, (New York: Duell, Sloan, and Pearce, 1947).

John Lomax and Alan Lomax, eds., American Ballads and Folk Songs, (New York: Macmillan & Co., 1933).

John A. Lomax and Alan Lomax, eds., Folk Songs USA, (New York: Duell, Sloan and Pierce, 1947).

Bill C. Malone, Country Music, USA, (Second Revised Edition. Austin: University of Texas Press, 2002).

Bill C. Malone, “Don’t Get Above Your Raising’”: Country Music and the Southern Working Class, Urbana, Illinois: The University of Illinois Press, 2002.)

Bill C. Malone, Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music, (Athens: University of Georgia Press, 1993).

Bill C. Malone, Southern Music, American Music, (Lexington: University of Kentucky Press, 1979).

Bill C. Malone and Judith McCulloh, eds., Stars of Country Music: Uncle Dave Macon to Johnny Rodriguez, (Urbana, IL: University of Illinois Press, 1975).

Barry McCloud, et. al., Definitive Country: The Ultimate Encyclopedia of Country Music and its Performers, (New York: Putnam Berkley Pub. Group, 1995).

Duncan McLean, Lone Star Swing: On The Trail of Bob Wills and His Texas Playboys, (London, England: Jonathan Cape, 1997).

Frankie McWhorter as told to John R. Erickson, Cowboy Fiddler in Bob Wills’ Band, (Lubbock: Texas Tech University Press, 1992).

Bob Millard, Country Music: 70 Years of America’s Favorite Music, (New York: Harper Perennial, 1993).

Bob Millard, Country Music What’s What: The Fan’s Guide to the People, Places and Things of Today’s Country Music, (New York: Harper Perennial, 1995).

John Morthland, The Best of Country Music, (Garden City, NJ: Doubleday Dolphin, 1984).

Susie Nelson, Heart Worn Memories: A Daughter’s Personal Biography of Willie Nelson, (Austin: Eakin Publications, 1987).

Willie Nelson, Lyrics 1957-1994, Don Cusic, ed., (New York: St. Martin’s Press, 1995).

Willie Nelson with Bud Shrake, Willie: An Autobiography, (New York: Simon and Schuster, 1988).

Nothin’ Else to Do: Celebrating 75 Years of West Texas Music, (Lubbock: The Museum, Texas Tech University catalog, 1986).

Raymond Obstfeld and Sheila Burgener, Twang!: The Ultimate Book of Country Music Quotations, (New York: H. Holt and Co., 1997).

Robert K. Oermann and Douglas B. Green, The Listener’s Guide to Country Music, (New York: Facts on File, 1983).

Robert K. Oermann, America’s Music: The Roots of Country, (Atlanta: Turner Pub., 1996).

Dale A. Olsen and Daniel E. Sheehy, eds., The Garland Handbook of Latin American Music, (New York: Garland Publishing, Inc., 2000).

Steven Opdyke, Willie Nelson Sings America, (Austin: Eakin Press, 1998).

Geoffrey J. Orr, Texas Troubador: A Bio-discography of the Life and Times of Smith Ballew, 1902-1984, (Melbourne, Australia: Exact Science Press, 1985).

William A. Owens, Swing and Turn: Texas Play-Party Games, (Dallas: Tardy Press, 1936).

William A. Owens, Tell Me a Story, Sing Me a Song: A Texas Chronicle, (Austin: University of Texas Press, 1983).

William A. Owens, Texas Folk Songs, second edition, (Dallas: SMU Press, 1976; distributed by University of North Texas Press).

Becky Patterson, Hondo, My Father, (Austin: Historical Publications, 1996).

John E. Perkins, Jr., Leon Rausch: The Voice of the Texas Playboys, (Arlington: Swing Publishing, 1996).

Richard A. Peterson, Creating Country Music: Fabricating Authenticity, (Chicago: University of Chicago Press, 1997).

Robert W. Phillips, Singing Cowboy Stars: The Guys, The Gals, The Sidekicks, (Layton, UT: Gibbs Smith Publisher, 1994).

Stacey Phillips, Western Swing Fiddle, (New York: Oak Publications, 1994).

Tracy Pitcox, ed., Hillbilly Hits Fan Club Kountry Kookin’ Volume III, (Brady: Hillbilly Hits Enterprises, 1997).

Bill Porterfield, The Greatest Honky-Tonks in Texas, (Dallas: Taylor Press, 1983).

Nolan Porterfield, Jimmie Rodgers: The Life and Times of America’s Blue Yodeler, (Urbana, IL: University of Illinois Press, 1979; 1992).

Nolan Porterfield, The Last Cavalier: The Life and Times of John A. Lomax 1867-1948, (Urbana, IL: University of Illinois Press, 1996).

Steven D. Price, Take Me Home: The Rise of Country and Western Music, (New York: Praeger Publishers, 1974).

Charlie Pride with Jim Henderson, The Charlie Pride Story, (New York: William Morrow; 1994).

Barbara J. Pruett, Marty Robbins: Fast Cars and Country Music, (Scarecrow Press, 1991).

Ronnie Pugh, Ernest Tubb: The Texas Troubadour, (Durham, NC: Duke University Press, 1996).

Buck Ramsey, And As I Rode Out In The Morning, (Lubbock: Texas Tech University Press, 1992).

Jan Reid, The Improbable Rise of Redneck Rock, (Austin: The University of Texas Press, 2004).

James Rice, Texas Honky-Tonk Music, (Austin: Eakin Press, 1985).

Tad Richards and Melvin B. Shestack, The New Country Music Encyclopedia, (New York: Fireside Books, 1993).

Ellen Walker Rienstra and Judith Walker Linsley, Music in Texas: Frontier to 1900, (Beaumont: Beaumont Heritage Society, 1980).

Carrie Cecil Williamson Rodgers, My Husband, Jimmie Rodgers, (Nashville, TN: Country Music Foundation Press, 1975; reprint of the 1935 ed. published by Southern Literary Institute, San Antonio; with a new introduction and chronology by Nolan Porterfield).

Neil V. Rosenberg, Bluegrass: A History, (Urbana, Illinois: University of Illinois Press, 1985).

David Rothel, The Singing Cowboys, (New York: A.S. Barnes and Co., 1978).

David Rothel, Gene Autry Book, (Madison, NC: Empire Publishing Company, 1988).

Larry Sandberg and Dick Weissman, The Folk Music Sourcebook, (New York: Da Capo, 1989).

William W. Savage, Jr., Singin’ Cowboys and All That Jazz: A Short History of Popular Music in Oklahoma, (Norman: University of Oklahoma Press, 1983).

Lola Scobey, Willie Nelson: Country Outlaw, (New York: Zebra Books, 1982).

Jo Sgammato, Dreams Come True: The LeAnn Rimes Story, (New York: Ballentine Books, 1997).

Billy Joe Shaver, assisted by Brad Reagan, Honky Tonk Hero, (Austin: University of Texas Press, 2005).

Harold B. Simpson, Hood’s Texas Brigade in Poetry and Song, (Hillsboro: Hill Junior College Press, 1968).

John L. Smith, Waylon Jennings: Recording History and Complete Discography, 1959-1972, (Des Moines, Iowa: John L. Smith, 1972).

John L. Smith, The Waylon Jenning Discography, (Westport, CT: Greenwood Press, 1995).

Richard D. Smith, Can’t You Hear me Callin’: The Life of Bill Monroe, Father of Bluegrass, (Boston: Little, Brown, and Company, 2000).

Willie Smyth, Country Music Recorded Prior to 1943: A Discography of LP Reissues, (John Edwards Memorial Foundation, 1984).

Joe Specht, The Women There Don’t Treat You Mean: Abilene in Song, (Abilene, Texas: Mc Murry University/State House Press, 2006).

Lauren St. John, Hardcore Troubadour: The Life and Near Death of Steve Earle, (New York: Fourth Estate, Harper Collins Publishers, Inc., 2003).

Irwin Stambler and Grelun Landon, Golden Guitars: The Story of Country Music, (New York, Four Winds Press, 1971).

Irwin Stambler and Grelun Landon, Encyclopedia of Folk, Country and Western Music, (New York: St. Martin’s Press, 1983).

Irwin Stambler and Grelun Landon, Country Music: The Encyclopedia, (New York: St. Martin’s Press, 1997).

Red Steagall, Ride For The Brand: The Poetry and Songs of Red Steagall, (Fort Worth: Texas Christian University Press, 1993).

Irwin Stambler and Grelun Landon, Encyclopedia of Folk, Country and Western Music, second edition, (New York: St. Martin’s Press, 1983).

Al Stricklin with Jon McConal, My Years with Bob Wills, (San Antonio: Naylor & Company, 1976).

Texas Department of Publicity for Centennial Celebrations, Public School Division, ed., Songs Texas Sings, (Marfa: Sesquicentennial Committee of Marfa/Presidio County, 1986).

Cecelia Tichi, High Lonesome: The American Culture of Country Music, (Chapel Hill, NC: University of North Carolina Press, 1994).

Nathan Howard (Jack) Thorp, Songs of the Cowboys, (publ., 1908; reprinted Bedford, MA: Applewood Books, 1989).

Nick Tosches, Country: The Biggest Music in America, (New York: Stein and Day, 1977).

Nick Tosches, Country: Living Legends and Dying Metaphors in America’s Biggest Music, (New York: C. Scribner’s Sons, 1984).

Nick Tosches, Country: The Twisted Roots of Rock ‘n’ Roll, (New York: Da Capo Press, 1996).

Charles R. Townsend, San Antonio Rose: The Life and Music of Bob Wills, (Chicago, IL: University of Illinois Press, 1986).

Geronimo Treviño, Dance Halls and Last Calls: A History of Texas Country Music, (Plano, Texas: Republic of Texas Press, 2002).

Tanya Tucker and Patsi Bale Cox, Nickel Dreams: My Life, (New York: Hyperion, 1997).

Martha Anne Turner, The Yellow Rose of Texas: Her Saga and Her Song, (Austin: Shoal Creek Publishers, 1976).

Townes Van Zandt, For the Sake of the Song, J. Lomax, ed., (Houston: Wings Press, 1977).

R.G. Vliet, Clem Maverick: The Life and Death of a Country Music Singer, (Bryan: Shearer Publishing, 1983).

John I. White, Git Along Little Dogies: Songs and Songmakers of the American West, (Urbana, IL: University of Illinois Press, 1975).

Raymond E. White, King of the Cowboys, Queen of the West: Roy Rogers and Dale Evans, (Madison: University of Wisconsin Press, 2005).

E. Clyde Whitlock and Richard Drake Saunders, eds., Music and Dance in Texas, Oklahoma, and the Southwest, (Hollywood, CA: Bureau of Musical Research, 1950).

Sherman Wildman, The Willie Nelson “Cooked Goose” Cookbook and IRS Financial Advisor, (Atlanta: Longstreet Press, 1992).

Rosetta Wills, The King of Western Swing: Bob Wills Remembered, (New York: Billboard Books, 1998).

Charles K. Wolfe, The Grand Ole Opry: The Early Years, 1925-35, (London: Old Time Music, 1975).

Charles Wolfe, Lefty Frizzell: His Life, His Music, (Bremen, Germany: Bear Family, 1984).

Charles Wolfe, The Devil’s Box: Masters of Southern Fiddling, (Nashville, TN: Country Music Foundation and Vanderbilt University Press, 1997).

Henrietta Yurchenco, A Mighty Hard Road: The Woody Guthrie Story, (New York: McGraw-Hill, 1970).

Conjunto/Tejano

Fisher Alsup, The Lost Crucifix of Our Lady of Guadalupe, (Austin: Shoal Creek Publishers, 1977).

Maria Celeste Arrarás, Selena’s Secret: The Revealing Story Behind Her Tragic Death, (New York: Fireside Books, 1997).

Alfred Arteaga, ed., An Other Tongue: Nation and Ethnicity in the Linguistic Borderlands, (Durham, North Carolina: Duke University Press, 1994).

Mody Coggin Boatright, ed., Mexican Border Ballads and Other Lore, (Dallas: Southern Methodist University Press, 1967).

Mody Coggin Boatright and Donald Day, eds., Backwoods to Border, (Dallas: Southern Methodist University Press, 1967).

Arthur L. Campa, Hispanic Culture in the Southwest, (Norman, OK: University of Oklahoma Press, 1979).

Walter Aaron Clark, ed., From Tejano to Tango: Latin American Popular Music, (New York: Routledge Press, 2002).

M.R. Cole (trans.), Los Pastores: A Mexican Play of the Nativity, (Boston: Houghton Mifflin for the American Folk-Lore Society, 1907).

Dan Dickey, The Kennedy Corridos: A Study of the Ballads of a Mexican-American Hero, (Austin: Center for Mexican American Studies, The University of Texas at Austin, 1978).

John Dyer, Conjunto: Voice of the People, Songs from the Heart, (Austin: University of Texas Press, 2005).

Adeline Short Dinger, Folk Life and Folklore of the Mexican Border, (Edinburg, Texas: Hidalgo County Historical Society, 1994).

Aurelio M. Espinosa, edited by J. Manuel Espinosa, The Folklore of Spain in the American Southwest: Traditional Spanish Folk Literature in Northern New Mexico and Southern Colorado, (Norman, Oklahoma: University of Oklahoma Press, 1985).

Ronald Flynn, Edwin Davison and Edward Chavez, The Golden Age of the Accordion, (Schertz: Flynn Associates Publishing Company, 1992).

Hector Galan, Accordion Dreams (documentary film), (Austin: Hector Galán Productions, 2001).

Hector Galan, Los Lonely Boys: Cottonfields and Crossroads (documentary film), (Austin: Hector Galán Productions, 2006).

Hector Galan, Songs of the Homeland (documentary film), (Austin: Hector Galán Productions, 1995).

Hector Galan, Tish Hinojosa: My Heart, My Life (documentary film), (Austin: Hector Galán Productions, 2005).

Juan S. Garrido, Historia de la Musica Popular en Mexico, 1896-1973, (Mexico City: Editorial Extemporaneos, 1974).

Claes af Geijerstam, Popular Music In Mexico, (Albuquerque, NM: University of New Mexico Press, 1976).

Joe S. Graham, ed., Hispanic-American Material Culture: An Annotated Directory of Collections, Sites, Archives and Festivals in the United States, (Westport, CT: Greenwood Press, 1989).

Victor Greene, A Passion for Polka: Old-Time Ethnic Music in America, (Berkeley: University of California Press, 1992).

Félix Gutíerrez and Jorge Schement, Spanish-Language Radio in the Southwestern United States, (Austin: UT Austin Center for Mexican-American Studies, 1979).

Patricia Harpole and Mark Fogelquist, Los Mariachis, (Danbury, CT: World Music Press, 1989).

Ramon Hernandez, ed., Texas Entertainment and Hispanic Music Industry Directory, (San Antonio: Ramon Hernandez, 1990).

José E. Limon, Dancing With The Devil: Society and Cultural Poetics in Mexican-American South Texas, (Madison, WI: University of Wisconsin Press, 1994).

Los Pastores, translated by Carmelo Tranchese, music notation by Carmela Montalvo, (1949; reprint, San Antonio: Treviño, 1976).

William Madsen, The Mexican-Americans of South Texas, (New York: Holt, Rinehardt and Winston, 1973).

Lydia Mendoza, Lydia Mendoza: A Family Autobiography, compiled by Chris Strachwitz, (Houston: Arte Publico Press, 1993).

Vicente T. Mendoza, El Corrido Mexicano, (Mexico City: Fondo de Cultura Economica, 1954).

Vicente T. Mendoza, Lirica Narrativa de Mexico: El Corrido, (Mexico City: Universidad Nacional Autonoma de Mexico, Instituto de Investigaciones Esteticas, 1964).

Himilce Novas and Rosemary Silva, Remembering Selena: A Tribute in Pictures and Words - Recordando a Selena: Un Tributo en Palabras y Fotos, (New York: St. Martin’s Press, 1995).

Américo Paredes, A Texas-Mexican Cancionero: Folksongs of the Lower Border, (Austin: University of Texas Press, 1995).

Américo Paredes, With His Pistol in His Hand: A Border Ballad and Its Hero, (Austin: University of Texas Press, 1976).

Américo Paredes, Folklore and Culture on The Texas-Mexican Border, Richard Bauman, ed., (Austin: University of Texas Press, 1993).

Jack Parson, Straight From The Heart: Portraits of Traditional Hispanic Musicians, (Albuquerque, NM: University of New Mexico Press, 1990).

Joe Nick Patoski, Selena: Como La Flor, (New York: Little, Brown and Co., 1996).

Charles Patrick, Learn To Play The Button Accordion, (Manor: Bois D’Arc Press, 1985).

Manuel H. Peña, Música Tejana, (College Station, TX: Texas A&M Press, 1999).

Manuel H. Peña, The Mexican American Orquesta: Music, Culture, and the Dialectic of Conflict, (Austin: University of Texas Press, 1999).

Manuel H. Peña, The Texas Mexican Conjunto: History of a Working-Class Music, (Austin: University of Texas Press, 1985).

Clint Richmond, Selena: The Phenomenal Life and Tragic Death of the Tejano Music Queen, (New York: Pocket Books, 1995).

Johannes Riedel and Santos Martinez, Jr., Dale Kranque: Chicano Music and Art in South Texas, (St. Paul, MN: University Media Resources, University of Minnesota, 1982).

John Storm Roberts, Latin Jazz: The First of the Fusions, 1880s to Today, (New York: Schirmer Books, 1999).

John Storm Roberts, The Latin Tinge: The Impact of Latin American Music on the United States, (New York: Oxford University Press, 1979).

John Storm Roberts, The Latin Tinge: The Impact of Latin-American Music on the United States, (New York: Oxford University Press, 1979).

Maritza Romero, Selena Perez: Queen of Tejano Music, (New York: Rosen Pub. Group’s PowerKids Press, 1997).

Geraldo Ruiz, Selena: The Last Song (Selena: La Ultima Cancion), (New York: El Diario Books, 1995).

Merle Simmons, The Mexican Corrido as a Source of an Interpretive Study of Modern Mexico, 1870-1950, (Bloomington, University of Indiana Press, 1957).

Guadalupe San Miguel, Jr, Tejano Proud: Tex-Mex Music in the Twentieth Century, (College Station: Texas A&M University Press, 2002).

Helen Simons and Cathryn A. Hoyt, eds., Hispanic Texas: A Historical Guide, (Austin: University of Texas Press, 1992).

Robert M. Stevenson, Music in El Paso, 1919-1939, (El Paso: University of Texas at El Paso, 1970).

Robert Stevenson, Music in Mexico, (New York: Crowell Publishers, 1971).

Juan Tejeda and Avelardo Valdez, eds., Puro Conjunto: An Album in Words and Pictures, (Austin: University of Texas Press, 2001).

Texas Music Museum, “Música Tejana: History and Development of Tejano Music,” booklet published by the Texas Music Museum, Austin, 1996.

Adrian Treviño, Performance Practices of Violin Players in South Texas, (Albuquerque, NM: Trellis Press, 1985).

Adrian Treviño, Tejano Music From 1830-1930, (Albuquerque, NM: Trellis Press, 1990).

Adrian Treviño, Traditional Sayings of Musicians and People at Dances, (three volumes; Albuquerque, NM: Trellis Press, 1984-89).

Ana Veciana-Suaréz, Hispanic Media USA: A Narrative Guide to Print and Electronic Media in the United States, (Washington, DC: Media Institute, 1987).

Elijah Wald, Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerillas, (New York: Harper Collins, 2001).

Neal Weaver, Abraham Chavez: El Paso’s Maestro, (El Paso: The Musical Friends of the Maestro, 1992).

John O. West, Mexican-American Folklore: Legends, Songs, Festivals, Proverbs, Crafts, Tales of Saints, Revolutionaries, and More, (Little Rock, AR: August House Publishers, 1988).

Jill C. Wheeler, Selena: The Queen of Tejano, (Edina, MN: Abdo & Daughters, 1996).

Jazz/Ragtime

Edward A. Berlin, King of Ragtime: Scott Joplin and his Era, (New York: Oxford University Press, 1994).

Rudi Blesh and Harriet Janis, They All Played Ragtime: The True Story of an American Music, (New York: Alfred A. Knopf, 1950).

Rudi Blesh, Introduction to The Collected Works of Scott Joplin, Vera Brodsky Lawrence, ed., (New York: New York Public Library, 1972).

Jean A. Boyd, The Jazz of the Southwest: An Oral History of Western Swing, (Austin: University of Texas Press, 1998).

Susan Curtis, Dancing to a Black Man’s Tune: A Life of Scott Joplin, (Columbia, Missouri: University of Missouri Press, 1994).

Stanley Dance, The World of Count Basie, (New York: Charles Scribner’s Sons, 1980).

Mark Evans, Scott Joplin and the Ragtime Years, (New York: Dodd, Mead, 1976).

Peter Gammond, Scott Joplin and the Ragtime Era, (New York: St. Martin’s Press, 1985).

Joe Goldberg, Jazz Masters of the ‘50s, (New York: Macmillan, 1963).

Max Harrison, Charles Fox, and Eric Thacker, The Essential Jazz Records, Vol. 1, Ragtime to Swing, (London, England: Da Capo Press, 1984).

James Haskins and Kathleen Benson, Scott Joplin, (Garden City, NJ: Doubleday, 1978).

Nat Hentoff, The Jazz Life, (New York: Da Capo Press, 1975).

Nat Hentoff, Listen To The Stories: Nat Hentoff on Jazz and Country Music, (New York: HarperCollins, 1995).

John Litweiler, Ornette Coleman: A Harmolodic Life, (New York: William Morrow, 1992).

Barry McRae and Tony Middleton, Ornette Coleman, (London, England: Apollo Publishing, 1988).

Heiner Mèuckenberger, Meet Me Where They Play the Blues: Jack Teagarden Und Seine Musik, (Gauting-Buchendorf: Oreos, 1986).

Barbara Mitchell, Raggin’: A Story About Scott Joplin, (Minneapolis, MN: Carolrhoda Books, 1987).

Dave Oliphant and Thomas Zigal (editors), Perspectives on Music: Essays on Collections at the Humanities Research Center, (Austin: Humanities Research Center, University of Texas at Austin, 1985).

Dave Oliphant, ed., The Bebop Revolution in Words and Music, (Austin: Harry Ransom Humanities Research Center, The University of Texas at Austin, 1994).

Dave Oliphant, Texan Jazz, (Austin: University of Texas Press, 1996).

Dave Oliphant, The Early Swing Era, 1930 to 1941, (Westport, Connecticut: Greenwood Press, 2002).

Steven Otfinoski, Scott Joplin: A Life in Ragtime, (New York: F. Watts, 1995).

Sally Placksin, American Women in Jazz: 1900 to the Present, (New York: Wideview Press, 1982).

Katherine K. Preston, Scott Joplin, (New York: Chelsea House Publishers, 1988).

Frederic Ramsey, Jazzmen, (St. Clair Shores, MI: Scholarly Press, 1972).

John Storm Roberts, Latin Jazz: The First of the Fusions, 1880s to Today, (New York: Schirmer Books, 1999).

John Storm Roberts, The Latin Tinge: The Impact of Latin American Music on the United States, (New York: Oxford University Press, 1979).

John Storm Roberts, The Latin Tinge: The Impact of Latin-American Music on the United States, (New York: Oxford University Press, 1979).

Ross Russell, Jazz Style in Kansas City and the Southwest, (Berkeley, CA: University of California, 1971).

James Sallis, The Guitar Players: One Instrument and its Masters in American Music, (New York: William Morrow, 1982).

William W. Savage, Jr., Singin’ Cowboys and All That Jazz: A Short History of Popular Music in Oklahoma, (Norman: University of Oklahoma Press, 1983).

Gunther Schuller, The History of Jazz, Volume I, Early Jazz: Its Roots and Musical Development, (New York: Oxford University Press, 1968).

Gunther Schuller, The Swing Era: The Development of Jazz, 1930-1945, (New York: Oxford University Press, 1989).

Peter J. Silvester, A Left Hand Like God: A History of Boogie-Woogie Piano, (New York: Da Capo Press, 1989).

Jay D. Smith and Leonard Guttridge, Jack Teagarden: The Story of a Jazz Maverick, (New York: Da Capo, 1988).

Barry Ulanov, A History of Jazz in America, (New York: Viking Press, 1952).

David Anthony Wild and Michael Cuscuna, Ornette Coleman, 1958-1979: A Discography, (Ann Arbor, MI: Wildmusic, 1980).

Martin T. Williams, The Jazz Tradition, (New York: Oxford University Press, 1970).

Martin T. Williams, ed., The Art of Jazz: Ragtime to Bebop, (New York: Da Capo Press, 1981).

Peter Niklas Wilson, Ornette Coleman: Sein Leben, Seine Musik, Seine Schallplatten, (Schaftlach, Germany: Oreos, 1989).

Rock & Roll

Ellis Amburn, Dark Star: The Roy Orbison Story, (New York: Lyle Stewart, 1990).

Ellis Amburn, Pearl: The Obsessions and Passions of Janis Joplin: A Biography, (New York: Warner Bros, 1992).

Ellis Amburn, Buddy Holly: A Biography, (New York: St. Martin’s Press, 1995).

Shane K. Bernard, Swamp Pop: Cajun and Creole Rhythm and Blues, (Jackson, MS: University Press of Mississippi, 1996).

David Blayney, Sharp-Dressed Men: ZZ Top Behind The Scenes From Blues to Boogie to Beards, (New York: Hyperion Press, 1994).

David Brackett, ed., The Pop, Rock, and Soul Reader: Histories and Debates, (New York: Oxford University Press, 2005).

Alan Clayson, Only the Lonely: Roy Orbison’s Life and Legacy, (New York: St. Martin’s Press, 1989).

Gilmar Henrique da Conceicaao, De Lenin a Janis Joplin, (Sao Paulo: Edicon, 1987).

B. Lee Cooper and Wayne Haney, Rockabilly: A Bibliographic Resource Guide, (Metuchen, NJ: Scarecrow Press, Inc., 1990).

David Dalton, Janis, (New York: Simon & Schuster, 1971).

David Dalton, Piece of My Heart: The Life, Times and Legend of Janis Joplin, (New York: St. Martin’s Press, 1985).

David Dalton, Piece of My Heart: A Portrait of Janis Joplin, (New York: Da Capo Press, 1991).

Jim Dawson and Spencer Leigh, Memories of Buddy Holly: In the Words of His Friends, His Fans and Himself, (Milford, NH: Big Nickel Publications, 1997).

Bradley Denton, Buddy Holly is Alive and Well on Ganymede, (New York: William Morrow, 1991).

Jim DeRogatis, Kaleidoscope Eyes: Psychedelic Rock From the ‘60s to the ‘90s, (New York: Citadel Underground, 1996).

Vincent R. DiNino, Marching Bands Through “The Eyes of Texas,” (Minneapolis, MN: Schmitt Music Centers, 1974).

Robert Draper, Everything You Want To Know About...ZZ Top, (New York: Ballantine Books, 1984).

Alice Echols, Scars of Sweet Paradise: The Life and Times of Janis Joplin, (New York: Metropolitan Books, Henry Holt and Company, 1998).

Rev. Roger Roky Kynard Erickson, Openers, (Austin: Pyramid Publishers, 1972).

Roger Roky Kynard Erickson, Openers II: The Lyrics of Roky Erickson, comp. and ed. by Casey Monahan, (Los Angeles, CA: 2.13.61 Publications, 1995).

Myra Friedman, Buried Alive: The Biography of Janis Joplin, (New York: William Morrow, 1977).

Myra Friedman, Janis Joplin Buried Alive: The Intimate Biography, (New York: Crown, 1992).

Myra Friedman, Buried Alive: The Biography of Janis Joplin, (New York: Harmony Books, 1992).

Deborah Frost and Bob Alford, ZZ Top: Bad and Worldwide, (New York: Collier Books, 1985).

Gillian G. Garr, She’s a Rebel: The History of Women in Rock & Roll, Expanded Second Edition, (New York: Seal Press, 1992).

John Goldrosen, Buddy Holly, His Life and Music, (Bowling Green, OH: Popular Press, 1975).

John Goldrosen, The Buddy Holly Story, (New York: Quick Fox, 1979).

John Goldrosen and John Beecher, Remembering Buddy: The Definitive Biography of Buddy Holly, (New York: Viking Penguin, 1986).

Bill Griggs and Jim Black, Buddy Holly: A Collectors Guide, (Sheboygan, WI: Red Wax Pub. Co., 1983).

Bill Griggs, The Words and Music of Buddy Holly: His Songs and Interviews (the Technical Stuff), Featuring All Recorded Music (Songs and Jingles, etc.), Whether Released or Unreleased, and All Spoken Promos and Interviews, (Lubbock: Bill Griggs, 1995; available from author for $12: P.O. Box 6123, Lubbock, TX 79493).

Bill Griggs, A Who’s Who of West Texas Rock ‘n’ Roll Music, (Levelland: Nocks Publishing, 1994).

John W. Haley and John von Hoelle, Sound and Glory: The Incredible Story of Bill Haley, the Father of Rock ‘n’ Roll and the Music That Shook the World, (Wilmington, Delaware: Dyne-American Publications, Inc., 1990).

Larry Holley, The Buddy I Knew, (Lubbock: Larry Holley, 1980).

C. Lee Hopkins, ed., The Stevie Ray Vaughan Anthology, (Dallas: C. Lee Hopkins, 1996).

Laura Joplin, Love, Janis, (New York: Villard Books, 1992).

Nick Kent, The Dark Stuff: Selected Writings on Rock Music 1972-1993, (London, England: Penguin Books, 1994).

Dave Laing, Buddy Holly, (New York: Macmillan, 1971).

Deborah Landau, Janis Joplin, Her Life and Times, (New York: Paperback Library, 1971).

Keri Leigh, Stevie Ray: Soul to Soul, (Dallas: Taylor Publishing, 1993).

Peter Lehman, Roy Orbison: The Invention of an Alternative Rock Masculinity, (Philadelphia: Temple University Press, 2003).

Hugh MacLean and Vernon Joynson, An American Rock History, Part Two — Texas, Arizona and New Mexico: A Southwestern Pilgrimage 1960-1989, (1990; Iain G. C. MacLean, Borderline Productions, P.O. Box 3819, Glasgow G43 1UT, England; 011-44-141-632-4288; fax 011-44-141-632-7278).

Judy McCoy, Rap Music in the 1980s: A Reference Guide, (Metuchen, NJ: Scarecrow Press, 1992).

Craig Morrison, Go Cat Go! Rockabilly Music and Its Makers, (Milford, NH: Big Nickel Publications, 1997).

Scott Nance, Recycling the Blues: ZZ Top, (Las Vegas, NV: Pioneer, 1991).

A. M. Nolan, Rock ‘n’ Roll Roadtrip: The Ultimate Guide to the Sights, the Shrines, and the Legends Across America, (New York: Pharos Books, 1992).

Philip Norman, Buddy: The Biography, (London: Macmillan Publishers, Ltd., 1996).

Philip Norman, Rave On: The Biography of Buddy Holly, (New York: Simon & Schuster, 1996).

Philip Norman, Shout! The Beatles in Their Generation, (New York: Fireside Books, 1996).

Jack Ortman, ed., The Roky Erickson Story, (four volumes 1985-1999; available from the author at 1604-B Parker Lane, Austin, TX 78741).

Joe Nick Patoski and Bill Crawford, Stevie Ray Vaughan: Caught In The Crossfire, (New York: Little, Brown and Co. 1993).

John Pickering, Buddy Holly and the Picks: Rock-and-Roll’s Best Kept Secret, (Houston: Pickering Enterprises, 1986).

Jan Reid, The Improbable Rise of Redneck Rock, (Austin: University of Texas Press, 2004).

Dafydd Rees and Luke Crampton, Rock Movers & Shakers, (New York: Billboard Books, 1991).

Ira A. Robbins, ed., The Trouser Press Guide to ‘90s Rock, (New York: Fireside Books, 1997).

Patricia Romanowski and Holly George-Warren, eds., The New Rolling Stone Encyclopedia of Rock & Roll, (New York: Rolling Stone Press, 1995).

Barry Shank, Dissonant Identities: The Rock ‘n Roll Scene in Austin, Texas, (Hanover, NH: University Press of New England, 1994).

David Shutt, ed., Journey to Tyme: A Discography & Interpretive Guide to Texas 1960s Punk/Psychedelia, (Austin: D. Shutt, 1984).

Larry Star and Christopher Waterman, American Popular Music: The Rock Years, (New York: Oxford University Press, 2006).

John Swenson, Bill Haley: The Daddy of Rock and Roll, (New York: Stein and Day, 1982).

Dave Thomas, Elimination: The ‘ZZ Top’ Story, (New York: Omnibus Press, 1985).

John Tobler, The Buddy Holly Story, (New York: Beaufort Books, 1983).

Nick Tosches, Unsung Heroes of Rock ‘n’ Roll, (New York: Harmony Books, 1991).

Martha Anne Turner, The Yellow Rose of Texas: Her Saga and Her Song, (Austin: Shoal Creek Publishers, 1976).

Allan Vorda, Psychedelic Psounds: Interviews from A to Z with 60s Psychedelic and Garage Bands, (Telford, England: Borderline Productions, 1994).

Dave Walker, American Rock ‘n Roll Tour, (New York: Thunder’s Mouth Press, 1992).

Maryann N. Weidt, Buddy Holly, (Mankato, MN: Capstone Press, 1989).

Burton Wilson with Jack Ortman, The Austin Music Scene Through the Lens of Burton Wilson, 1965-1994, (Austin: Eakin Press, 2001).

Assorted Ethnic Groups/General Interest

Francis E. Abernethy, Singin’ Texas, (Denton: University of North Texas Press, 1994).

Francis E. Abernethy, What’s Going On? In Modern Texas Folklore, (Austin: Encino Press, 1976).

Francis E. Abernethy, ed., Legendary Ladies of Texas, (Denton: University of North Texas Press, 1994).

Johnnie Allan, [John Allen Guillot, comp. and ed.], Memories: A Pictorial History of South Louisiana Music; Volume 1: South Louisiana and East Texas Musicians, (Lafayette, LA: JADFEL Publishing Press, 1988).

Johnnie Allan and Bernice Larson Webb, Born to be a Loser: The Jimmy Donley Story, (Lafayette, LA: JADFEL Publishing, 1992).

Johnnie Allan, [John Allen Guillot, comp. and ed.], Memories: A Pictorial History of South Louisiana Music, 1920s-1980s, Vol. 1 & 2, South Louisiana and East Texas Musicians, (Lafayette, LA: JADFEL Publishing Press, 1995).

Barry Jean Ancelet, The Makers of Cajun Music, (Austin: University of Texas Press, 1984).

Glenn Appell and David Hemphill, American Popular Music: A Multicultural History, (Belmont, California: Thomson Higher Education, 2006).

Elizabeth Aubrey, The Music of the Troubadours, (Bloomington: Indiana University Press, 1996).

Austin County Historical Commission, ed., Dance Halls of Austin County, (Bellville: Austin County Historical Commission, 1993).

Walter B. Bailey and Nancy Gisbrecht Bailey, Radie Britain: A Bio-bibliography, (New York: Greenwood Press, 1990).

Whitney Balliett, American Musicians, (New York: Oxford University Press, 1986).

Roy Barkley, et al, eds. The Handbook of Texas Music, (Austin: The Texas State Historical Association, 2003).

Richard Bauman and Roger Abrahams, And Other Neighborly Names: Social Process And Cultural Image In Texas, (Austin: University of Texas Press, 1981).

Louise Berliner, Texas Guinan, Queen of the Nightclubs, (Austin: University of Texas Press, 1993).

Shane K. Bernard, Swamp Pop: Cajun and Creole Rhythm and Blues, (Jackson, MS: University Press of Mississippi, 1996).

Mody Coggin Boatright, Wilson M. Hudson and Allen Maxwell, eds., A Good Tale and a Bonnie Tune, (Dallas: Southern Methodist University Press, 1964).

Mody Coggin Boatright, Gib Morgan, Minstrel of the Oil Fields, (Denton: University of North Texas Press, 1945).

Mody Coggin Boatright, Wilson M. Hudson and Allen Maxwell, eds., Texas Folk and Folklore, (Denton: University of North Texas Press, 1954).

Mody Coggin Boatright, Singers and Storytellers, (Denton: University of North Texas Press, 1960).

Mody Coggin Boatright and Donald Day, eds., From Hell To Breakfast, (Dallas: Southern Methodist University Press, 1967).

Stanley Booth, Rhythm Oil: A Journey Through the Music of the American South, (New York: Vintage Books, 1993).

Elizabeth Brooks, Prominent Women of Texas, (Akron, OH: The Werner Company, 1896).

John Broven, South To Louisiana: The Music of the Cajun Bayous, (Gretna, LA: Pelican Publishing, 1983).

Andrew Brown, ed., Taking Off: Musical Journeys in the Southwest and Beyond, Number 1, Spring 2005, (Carthage, Texas: Pine Grove Press, 2005).

Mary A. Bufwack and Robert K. Oermann, Finding Her Voice: The Saga of Women in Country Music, (New York: Crown Publishers, 1993).

Alan Burton, ed., Rave On: Classic Texas Music Quotes, (Lubbock: Texas Tech University Press, 1996).

Abram Chasins with Villa Stiles, The Van Cliburn Legend, (Garden City, NJ: Doubleday, 1959).

Chris Christian, How To Get Started In Christian Music, (Dallas: Home Sweet Home Publications, 1986).

Columbia Pictures Publications, comp., Texas: Great Songs of the Lone Star State, (Miami: Columbia Pictures Publications, 1985).

Josiah Combs, Folksongs of the Southern United States, (Austin: University of Texas Press, 1967).

Peter Cooper, Hub City Music Makers: One Southern Town’s Popular Music Legacy, (Spartanburg, SC: Holocene Publishing, 1997).

Michael Corcoran, All Over the Map: True Heroes of Texas Music, (Austin: University of Texas Press, 2005).

Ronald L. Davis, A History of Opera in the American West, (New York: Prentice-Hall, 1965).

Nicholas Dawidoff, In the Country of Country: People and Places in American Music, (New York: Pantheon, 1997).

Leonardo De Lorenzo, My Complete Story of the Flute: The Instrument, The Performer, The Music, (Lubbock: Texas Tech University Press, 1992).

Joan Dew, Singers and Sweethearts: The Women of Country Music, (Garden City, NY: Dolphin Books, 1977).

Vincent R. DiNino, Marching Bands Through “The Eyes of Texas,” (Minneapolis, MN: Schmitt Music Centers, 1974).

J. Frank Dobie, Follow de Drinkin’ Gou’d, (Austin: Texas Folklore Society, 1928).

J. Frank Dobie, Rainbow in the Morning: Texas Folk Songs, (Halboro, PA: Folklore Associates, 1965).

Arleigh Duff, Y’all Come, (Austin: Eakin Press, 1983).

Clifford Endres with Scott Newton, Austin City Limits, (Austin: University of Texas Press, 1987).

Colin Escott, Tattooed On Their Tongues: A Journey Through the Backrooms of American Music, (New York: Schirmer Books, 1996).

Ron Eyerman and Andrew Jamison, Music and Social Movements: Mobilizing Traditions in the Twentieth Century, (Cambridge, England: Cambridge University Press, 1998).

Austin E. and Alta Stephens Fife, Ballads of the Great West, (Palo Alto, CA: American West Publishing Co., 1970).

Ronald Flynn, Edwin Davison and Edward Chavez, The Golden Age of the Accordion, (Schertz: Flynn Associates Pub. Co., 1992).

Gene Fowler and Bill Crawford, Border Radio: Quacks, Yodelers, Pitchmen, Psychics, and Other Amazing Broadcasters of the American Airwaves, (Austin: University of Texas Press, 2002).

Robin Fradenburgh, ed., Directory of Music Collections in Texas Libraries, (Austin: Music Library Association, 1985).

Gerald David Frank, A German Organbuilder on the Texas Frontier: The Life and Work of Johann Traugott Wandke, (Harrisville, NH: Boston Organ Club Chapter of the Organ Historical Society, 1990).

Ronald Garay, Gordon McLendon: The Maverick of Radio, (New York: Greenwood Press, 1992).

Galen Gart and Roy C. Ames, Duke/Peacock Records: An Illustrated History with Discography, (Milford, NH: Big Nickel Publications, 1990).

Alan Govenar, Masters of Traditional Arts: A Biographical Dictionary, Volumes I and II, (Santa Barbara, California: ABC-CLIO, Inc., 2001).

Bill Green, The Dancing Was Lively: Fort Concho, A Social History 1867 to 1882, (San Angelo: Fort Concho Sketches Publishing, 1974).

Jared Green, ed., Rap and Hip Hop: Examining Pop Culture, (Farmington Hills, Michigan: Greenhaven Press, 2003).

Victor Greene, A Passion for Polka: Old-Time Ethnic Music in America, (Berkeley: University of California Press, 1992).

Jack Guerry, Silvio Scionti: Remembering a Master Pianist and Teacher, (Denton: University of North Texas Press, 1991).

Jack Guerry (comp. and ed.), The Essays of Silvio Scionti on Artistic Piano Playing and Other Topics, (Denton: University of North Texas Press, 1998).

Peter Guralnick, Lost Highway: Journeys and Arrivals of American Musicians, (Boston: Godine Press, 1979).

Henry J. Hauschild, A Musical Chronicle from the Historical Scrapbooks, (Victoria, Texas: Henry J. Hauschild, 1999).

Tim Henderson, Sweeping Up Dreams - Lyrics As Poetry, (Wimberley: Sun Country Publications, 1996).

Craig Hillis, Texas Trilogy: Life in a Small Texas Town, with photos by Bruce F. Jordan, (Austin: University of Texas Press, 2002).

H. Wiley Hitchcock and Stanley Sadie, eds., The New Grove Dictionary of American Music, Volumes I-V, (New York: McMillan Press Limited, 1986).

Travis Holland, Texas Genesis, (Austin: B.F. Deal Press, 1978).

Joseph Horowitz, The Ivory Trade: Music and the Business of Music at the Van Cliburn International Piano Competition, (New York: Summit Books, 1990).

Kathleen Hudson, In Their Own Words, (Austin: University of Texas Press, 1998).

Mint Oliver James-Reed, Music in Austin, 1900-1956, (Austin: Von Boeckmann-Jones Company, 1957).

Sister Joan of Arc, C.D.P., Catholic Music and Musicians in Texas, (San Antonio: Our Lady of the Lake College, 1936).

Jeannette Keim and Robert Brule, eds, Texas, Our Texas, And Other Favorite Songs of the Lone Star State: A Volume of Music, History, and Art, (Irving: Cimarron Music, 1991).

Rod Kennedy, Music From The Heart: Rod Kennedy’s 50 Year Chronicle of His Life In Music With a Few Side Trips, (Austin: Eakin Press, 1998).

Donna Staley Kline, An American Virtuoso on the World Stage: Olga Samaroff Stokowski, (College Station: Texas A&M University Press, 1996).

Roger H. Kolar, Early Czech Dance Halls in Texas, (Austin: Roger H. Kolar, 1975).

Rick Koster, Texas Music, (New York: St. Martin’s Press, 1998).

Richard E. Lingenfelter, Richard Dwyer and David Cohen, Songs of the American West, (University of California Press, 1968).

Guy W. Logsdon, The Whorehouse Bells Were Ringing, (Urbana, IL: University of Illinois Press, 1989).

John Lomax and Alan Lomax, eds., American Ballads and Folk Songs, (New York: Macmillan & Co., 1933).

John Lomax, Adventures of a Ballad Hunter, (New York: Macmillan & Co., 1947).

John Lomax and Alan Lomax (eds.), Folk Songs USA, (New York: Duell, Sloan and Pierce, 1947).

Kip Lornell and Anne K. Rasmussen, eds., Musics of Multicultural America: A Study of Twelve Musical Communities, (New York: Schirmer Books, 1997).

Fred Lowery as told to John R. McDowell, Whistling in the Dark, (Gretna, LA: Pelican Publishing Company, 1983).

Clinton Machann and James W. Mendl, Jr., eds., Czech Voices: Stories from Texas in the Amerikán Národní Kalendár, (College Station, Texas: Texas A&M University Press, 1991).

Clinton Machann and James W. Mendl, Jr., eds., Krasna Amerika: A Study of the Texas Czechs, 1851-1939, (Austin: Eakin Press, 1983).

Bill Mack, Spins And Needles, (New York: Travis Press, 1970).

Bill C. Malone, Southern Music, American Music, (Lexington: University of Kentucky Press, 1979).

Mary Martin, My Heart Belongs, (New York: William Morrow, 1976).

Judy McCoy, Rap Music in the 1980s: A Reference Guide, (Metuchen, NJ: Scarecrow Press, 1992).

Wilfrid Mellers, Music in a New Found Land: Themes and Developments in the History of American Music, (New York: Alfred A. Knopf, 1965).

Jay Dunston Milner, Confessions of a Maddog: A Romp Through the High-Flying Texas Music and Literary Era of the Fifties to the Seventies, (Denton: University of North Texas Press, 1998).

Nick A. Morris, A History of the S.P.J.S.T: A Texas Chronicle, 1897-1980, (Temple, Texas: Slavonic Benevolent Order of the State of Texas, 1984).

David Nichols, ed., Cambridge History of American Music, (Cambridge, England: Cambridge University Press, 1998).

Nothin’ Else To Do: Celebrating 75 Years of West Texas Music, (Lubbock: The Museum, Texas Tech University catalog, 1986).

Dave Oliphant and Thomas Zigal, eds., Perspectives on Music: Essays on Collections at the Humanities Research Center, (Austin: Humanities Research Center, University of Texas at Austin, 1985).

Rick Olivier and Ben Sandmel, Zydeco! (Jackson, Mississippi: University of Mississippi Press, 1999).

Geoffrey J. Orr, Texas Troubadour: A Bio-discography of the Life and Times of Smith Ballew, 1902-1984, (Melbourne, Australia: Exact Science Press, 1985).

William A. Owens, Texas Folk Songs, (second edition; Dallas: SMU Press, 1976; distributed by University of North Texas Press).

William A. Owens, Tell Me a Story, Sing Me a Song: A Texas Chronicle, (Austin: University of Texas Press, 1983).

Charles Patrick, Learn To Play The Button Accordion, (Manor: Bois D’Arc Press, 1985).

Hannibal Peterson, The Ripeness of My Fruit, (New York: Sunrise Music, 1974).

Sally Placksin, American Women in Jazz: 1900 to the Present, (New York: Wideview Press, 1982).

Ormonde Plater and Cynthia and Rand Speyrer, Cajun Dancing, (Gretna, Louisiana: Pelican Publishing Company, Inc., 1993).

Nolan Porterfield, The Last Cavalier: The Life and Times of John A. Lomax 1867-1948, (Urbana, IL: University of Illinois Press, 1996).

Donald B. Powell and Mary Jo Powell, The Fightin’ Texas Aggie Band, (College Station: Texas A&M University Press, 1994).

Ronald Radano and Philip V. Bohlman, eds., Music and the Racial Imagination, (Chicago: University of Chicago Press, 2000).

Buck Ramsey, And As I Rode Out In The Morning, (Lubbock: Texas Tech University Press, 1992).

Dick J. Reavis, Texas, (Oakland, CA: Compass American Guides, Fodor’s Travel Publications, 1995).

Howard Reich, Van Cliburn, (Nashville: T. Nelson Publishers, 1993).

Ellen Walker Rienstra and Judith Walker Linsley, Music in Texas: Frontier to 1900, (Beaumont: Beaumont Heritage Society, 1980).

Ronin Ro, Gangsta: Merchandising Rhymes of Violence, (New York: St. Martin’s Press, 1996).

Hubert Roussel, The Houston Symphony Orchestra, 1913-1971, (Austin: University of Texas Press, 1972).

James Sallis, The Guitar Players: One Instrument and its Masters in American Music, (New York: William Morrow, 1982).

Larry Sandberg and Dick Weissman, The Folk Music Sourcebook, (New York: Da Capo, 1989).

Elizabeth Skidmore Sasser, Out of the Ordinary: The Art of Paul Milosevich, (Lubbock: Texas Tech University Press, 1991).

Richard Schroeder, Texas Signs On: The Early Days of Radio and Television, (College Station: Texas A&M University Press, 1998).

Silvio Scionti, The Essays of Silvio Scionti on Artistic Piano Playing and Other Topics, (compiled and edited by Jack Guerry; Denton: University of North Texas Press, 1998).

Kay Kaufman Shelemay, ed., The Garland Library of Readings in Ethnomusicology, Volume 1, History, Definitions, and Scope of Ethnomusicology, (New York: Garland Publishing, 1990).

Harold B. Simpson, Hood’s Texas Brigade in Poetry and Song, (Hillsboro: Hill Junior College Press, 1968).

Robert L. Skrabanek, We’re Czechs, (College Station, Texas: Texas A&M University Press, 1988).

Ernest B. Speck, Mody C. Boatright, (Austin: Steck-Vaughn Company, 1971).

Lota M. Spell, Music in Texas: A Survey Of One Aspect of Cultural Progress, (New York: AMS Press, 1973).

Virgil O. Stamps, The Precious Memories of Virgil O. Stamps, (Dallas: Stamps-Baxter Music and Printing Company, 1941).

Steven Stancell, Rap Whoz Who: The World of Rap Music, Performers, Producers, Promoters, (New York: Schirmer Books, 1996).

Robert M. Stevenson, Music in El Paso, 1919-1939, (El Paso: University of Texas at El Paso, 1970).

Charles J. Stivale, Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance, (Durham, North Carolina: Duke University Press, 2003).

Texas Department of Publicity for Centennial Celebrations, Public School Division, ed., Songs Texas Sings, (Marfa: Sesquicentennial Committee of Marfa/Presidio County, 1986).

Texas Music Educators Association, A Bibliography of Master’s Theses and Doctoral Dissertations in Music Completed at Texas Colleges and Universities, 1919-1972, (Houston: Texas Music Educators Association, 1974).

Texas Music Museum, “Musikfest: German Contributions to Texas Music,” booklet published by the Texas Music Museum, Austin, 1992.

Texas Music Museum, “Muziky, Muziky: Czech Contributions to Texas Music,” booklet published by the Texas Music Museum, Austin, 1995.

Texas Music Museum, “Our Native Spirit,” booklet published by the Texas Music Museum, Austin, 1998.

Texas Music Office, Texas Music Education Primer, compiled by Casey Monahan and Deb Freeman (Austin: Office of the Governor, 1996).

Texas Music Office, Texas Music Industry Directory, seventh edition, compiled by Casey Monahan and Deb Freeman, (Austin: Office of the Governor, 1997).

Texas Music Office, Texas Recording and Production Guide, compiled Casey Monahan and Deb Freeman, third edition (Austin: Office of the Governor, 1995).

Texas, Office of the State Auditor, Special Investigation: Texas Southern University “Ocean of Soul” Band, (Austin: Office of the State Auditor, 1993).

Bob Thiele as told to Bob Golden, What A Wonderful World: A Lifetime of Recordings, (New York: Oxford University Press, 1995).

Robert H. Thonhoff, The Texas Connection, (Austin: Eakin Press, 1981).

Michael Tisserand, The Kingdom of Zydeco, (New York: Arcade Publishing, 1998).

Adrian Treviño, Performance Practices of Violin Players in South Texas, (Albuquerque, NM: Trellis Press, 1985).

Martha Anne Turner, The Yellow Rose of Texas: Her Saga and Her Song, (Austin: Shoal Creek Publishers, 1976).

Robyn Turner, Austin Originals: Chats With Colorful Characters, (Amarillo: Paramount Press, 1982).

Patricia Gayle Tyler, Hill Country Music: Popular Music and Musicians In and Near Austin, Texas, 1968-1974, (Austin: (s.n.), 1974).

Townes Van Zandt, For the Sake of the Song, (J. Lomax, editor; Houston: Wings Press, 1977).

Elizabeth Power Warden, Through the Years With Music in a Little Texas Town: An Account of Music in Victoria, Texas, (Victoria: Victoria Music Club, 1943).

Marienne Waters and L.E. McCullough, The Austin Music Industry Council Primer, (Austin: Austin Music Industry Council, 1988).

Neal Weaver, Abraham Chavez: El Paso’s Maestro, (El Paso: The Musical Friends of the Maestro, 1992).

E. Clyde Whitlock and Richard Drake Saunders, eds, Music and Dance in Texas, Oklahoma, and the Southwest, (Hollywood, CA: Bureau of Musical Research, 1950).

Whittle Music Company, comp., Texas Composers: A Listing of Their Works and Arrangements, (Dallas: Whittle Music Co., 1961).

Charles Reagan Wilson and William Ferris, eds., Encyclopedia of Southern Culture, (Chapel Hill, NC: University of North Carolina Press, 1989).

Eddie Wilson, Threadgill’s: The Cookbook, (Atlanta, GA: Longstreet Press, 1996).

Dorman H. Winfrey, Arturo Toscanini in Texas: the 1950 NBC Symphony Orchestra Tour, (Austin: Encino Press, 1967).

Phil Winsor, Automated Music Composition, (Denton: University of North Texas Press, 1992).

Roger Wood, Down in Houston: Bayou City Blues, (Austin: University of Texas Press, 2003).

Roger Wood, Texas Zydeco, photography by James Fraher, (Austin: University of Texas Press, 2006).

Lynn Woolley, The Last Great Days of Radio, (Plano: Wordware Publishing, 1994).

Arthur Young & Company, Texas Music Inventory /Presented to the Texas Department of Commerce, Film/Music Office, (Austin: Arthur Young & Company, 1988).

Articles/Chapters/Papers/Dissertations/Theses/Unpublished Works:

Blues/Gospel/Rhythm & Blues

Mary Virginia Bales, “Negro Folk Songs in Texas, Their Definition and Origin,” (M.A. Thesis, Texas Christian University, 1927).

Kevin Coffey, “East Texas Sock: The Impact of Black Music on Texas Country Dance Musicians,” (paper delivered at Texas State Historical Association convention, March 7, 1997).

Shelby L. Collier, “The Status of Music in 100 Baptist Churches of Texas,” (M.A. Thesis, University of Texas at Austin, 1949).

Charles Gilbert Davis, “Turning the Tune in Texas: A Survey of Printed Texas Music from Plain Chant to Ragtime,” (M.A. Thesis, Stephen F. Austin University, 1984).

Kenneth W. Davis, “Fifth Sunday Singing Convention,” paper delivered at annual meeting of the Texas State Historical Association (March 2, 1996).

Rev. Lavada “Dr. Hepcat” Durst, The Jives of Doctor Hepcat, (Austin: [n.p.], 1953).

Benjamin Filene, “‘Our Singing Country’–John and Alan Lomax, Leadbelly, and the Construction of an American Past,’” American Quarterly, Volume 43, Number 4, December 1991, 602-624.

John Lightfoot, “Blues Music About Jobs and Love,” paper delivered at annual meeting of the Texas State Historical Association (March 2, 1996).

John Lightfoot, “Early Texas Bluesmen,” in Lawrence Clayton and Joe Specht, eds., The Roots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

Mack McCormick, “Mance Lipscomb, Texas Sharecropper and Songster,” in American Folk Music Occasional, Berkeley, CA: No. 1, 1964.

John Stephen Minton, “Phonograph Blues: Folksong and Media in the Southern United States Before the Second World War,” (Ph.D. Dissertation, University of Texas at Austin, 1990).

Luigi Monge and David Evans, “New Songs of Blind Lemon Jefferson,” Journal of Texas Music History, Volume 3, Number 2, Fall 2003, 8-28.

John S. Otto and Augustus Burns, “Black and White Cultural Interaction in Early Twentieth Century South: Race and Hillbilly Music,” Phylon, Vol. 33, December 1974.

Mike Rowe, “The Jives of Dr. Hepcat, “Blues Unlimited, No. 129, April 1978.

Ross Russell, “Illuminating the Leadbelly Legacy,” Down Beat, XXXVVI, 1970.

Mike Sager, “The Gospel According to Bill Hicks,” GQ, September 1994.

Nicholas R. Spitzer, “When Death Comes Creeping: A Farewell To Mance Lipscomb,” Picking Up The Tempo, No. 15, April/May 1976.

Robert Springer, “Being Yourself Is More Than Trying To Be Somebody Else: An Interview with Robert Shaw,” Blues Unlimited, No. 129, March/April 1978.

Iva Mae Stewart, “A Study of Music in the Negro Secondary Schools of Houston, Texas,” (M.A. Thesis, State University of Iowa, 1943).

Jack Dudley Summerfield, “The Negro in Radio Broadcasting: A Program Content Analysis,” (M.A. Thesis, University of Texas, 1954).

Christopher A. Waterman, “Race Music: Bo Chatmon, ‘Corrine, Corrina,’ and the Excluded Middle,” in Ronald Radano and Philip V. Bohlman, eds., Music and the Racial Imagination, (Chicago: University of Chicago Press, 2000).

Roger Wood, “The Legacy of Shady’s Playhouse: A Blues Nightclub in Houston,” (paper delivered at Texas State Historical Association convention, March 5, 1998).

Roger Wood, “Southeast Texas: Hothouse of Zydeco,” Journal of Texas Music History, Volume 1, Number 2, Fall 2001, 23-44.

Country/Folk
Francis E. Abernethy, “Texas Folk and Modern Country Music,” in Texas Country: The Changing Rural Scene; eds. Glen E. Lich and Dona B. Reeves-Marquardt, (College Station: Texas A&M University Press, 1986).

Gregg Andrews, “It’s the Music: Kent Finlay’s Cheatham Street Warehouse in San Marcos, Texas,” Journal of Texas Music History, Volume 5, Number 1, Spring 2005, 8-25.

Joe Angle, “The World’s Champion Fiddlers Festival at Crockett, Texas and its Antecedents,” (M.A. Report, University of Texas, 1969).

Mary Virginia Bales, “Negro Folk Songs in Texas, Their Definition and Origin,” (M.A. Thesis, Texas Christian University, 1927).

Gene Bluestein, “The Lomaxes’ New Canon of American Folksong,” Texas Quarterly, V, Spring 1962, 49-59.

Lilla Jean Brown, “Music in the History of Dallas, 1841-1900,” (M.A. Thesis: University of Texas at Austin, 1947).

Ron Cabal, A Honky Tonk Odyssey: My Eight Years with George Strait, (Austin: [n.p.], 1990).

Joe Carr, “’Hardy Pioneers’ and Amarillo’s Panhandle Fiddle Contests,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 44-48.

Kevin Coffey, Cliff Bruner and His Texas Wanderers, CD liner notes, (Bear Family Records, 1996).

Kevin Coffey, “East Texas Sock: The Impact of Black Music on Texas Country Dance Musicians,” (paper delivered at Texas State Historical Association convention, March 7, 1997).

Kevin Coffey, “Steel Colossus: The Bob Dunn Story,” Journal of Country Music, Volume 17, Number 2, 1996, 90-109.

Kevin Coffey, “The Story of the Big “D” Jamboree,” CD liner notes for The Big “D” Jamboree Live! Volumes 1 & 2, 2000.

John Dempsey, “Marvin ‘Smokey’ Montgomery: A Life in Texas Music,” Journal of Texas Music History, Volume 1, Number 2, Fall 2001, 46-57.

J. Frank Dobie, “Ballads and Songs of the Frontier Folk, “ in Texas And Southwestern Lore, Texas Folklore Society Publications, VI and VII, (Denton: University of North Texas Press, 1927, 1928).

Rush Evans, “Bob Wills: The King of Western Swing,” Journal of Texas Music History, Volume 2, Number 2, 16-29.

Austin E. and Alta Stephens Fife, “Pug-Nosed Lil’ Girl with the Blue Velvet Band” in Folklore of the Great West: Selections From 83 Years of the Journal of American Folklore, ed. by John Greeway, (Palo Alto, CA: American West Publishing Co., 1970).

Archie Green, “Austin’s Cosmic Cowboys: Words in Collision” in “And Other Neighborly Names”: Social Process and Cultural Image in Texas, ed. Richard Bauman and Roger Abrahams, (Austin: University of Texas Press, 1981), 153-162.

Ken Griffis, “The Ken Maynard Story,” John Edwards Memorial Foundation Quarterly, Volume 9, Part 2, Number 30, Summer 1973, 67-70.

Gary Hartman, “The Bob Bullock Museum Celebrates Texas Country Music.” Journal of Texas Music History, Volume 2, Number 2, Fall 2002, 7-15.

Aaron John Latham, “The Ballad of the Urban Cowboy: America’s Search for True Grit,” Esquire Vol. 90, Sept. 12, 1978, 21-30.

Cory Lock, “Counterculture Cowboys: Progressive Texas Country of the 1970s and 1980s,” Journal of Texas Music History, Volume 3, Number 1, Spring 2003, 14-23.

Bill C. Malone, “Texas Myth/Texas Music,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 4-11.

Rod Moag, “The History of Early Bluegrass in Texas,” Journal of Texas Music History, Volume 4, Number 2, Fall 2004, 22-48.

Kevin Mooney, “Texas Centennial 1936: African-American Texans and the Third National Folk Festival,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 36-43.

Wally Moyers, “Thirty-Four Years of Country Music in Lubbock, Texas,” (unpublished manuscript, 1990).

Willie Nelson, “A Tribute to Bob Wills,” Country Music, II, No. 12, August, 1974.

Donald W. Pugh, “Music in Frontier Houston, 1836-1876,” (Ph.D. Dissertation, University of Texas at Austin, 1970).

Ronnie Pugh, “The Texas Troubadour: Selected Aspects of the Career of Ernest Tubb,” (M.A. Thesis, Stephen F. Austin State University, 1978).

Ronnie Pugh, “‘There’s A Little Bit of Everything in Texas’: The Texas Roots of Ernest Tubb,” (paper delivered at Texas State Historical Association convention, March 7, 1997).

Jan Reid, “Who Killed Redneck Rock?” Texas Monthly, IV, December 1976.

Robert M. Shelton, “Doing Theology With Willie Nelson,” Black Sacred Music: A Journal of Theomusicology, Volume 8, No. 1, Spring 199).

Renee Rose Shield, “Dine and Dance: Country Music in Helotes, Texas” (M.A. Thesis, University of Texas at Austin, 1973).

Joe W. Specht, “The Blue Yodeler is Coming to Town,” Journal of Texas Music History, Volume 1, Number 2, Fall 2001, 17-22.

Joe W. Specht, “I Forgot to Remember to Forget: Elvis Presley in Texas-1955.” Journal of Texas Music History, Volume 3, Number 1, Spring 2003, 7-13.

Joe W. Specht, “Put a Nickel in the Jukebox: The Texas Tradition in Country Music, 1922-1950,” in Lawrence Clayton and Joe W. Specht, eds., The Roots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

Joe W. Specht, “Railroad Songs in Country Music: A Texas Perspective,” paper delivered at annual meeting of the Texas State Historical Association (March 2, 1996).

Nicholas R. Spitzer, “‘Bob Wills is Still the King’: Romantic Regionalism and Convergent Culture in Central Texas,” John Edwards Memorial Foundation Quarterly, II:40, Winter 1975, 191-196.

Nicholas R. Spitzer, “Jimmie Rodgers in Texas,” Picking Up The Tempo, No. 11, October 1975.

Ruth Adele Utz, Trails and Trail Drivers of Texas, (San Marcos: Southwest Texas State University, [n.d.]).

Robert W. Van Sickel, “A World Without Citizenship: On (the absence of) Politics and Ideology in Country Music Lyrics, 1960-2000,” Popular Music and Society, Volume 28, Number 3, July 2005, 313-331.

Andy Wilkinson, “Ridin’ Old Paint: Documenting the Canadian River Breaks Fiddle Tradition,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 49-51.

Robert B. Winans, “The Folk, the Stage, and the Five-String Banjo in the Nineteenth Century,” The Journal of American Folklore, Volume 89, Number 354, October 1976, 407-437.

Dorman H. Winfrey, “Development of Music on the American Frontier,” Texana, Vol. 34, No. 4, Summer 1967.

Elizabeth Harrell Winter, “Music in Texas Since 1920,” (M.A. Thesis, Sul Ross State College, 1940).

Conjunto/Tejano

Miguel Acosta, “Instrumentista,” in Hecho En Tejas: Texas-Mexican Folk Arts and Crafts, ed. Joe S. Graham, (Denton: University of North Texas Press, 1992).

Louis Barbash and Frederick P. Close, “Lydia Mendoza: The Voice of a People,” Texas Humanist, Volume 6, Nov.-Dec., 1983.

Ramiro Burr, “Hispanic Music Cultural Expression” in The Hispanic Almanac, Nicolas Kanellos, ed., (Detroit, MI: Visible Ink Press, 1995).

Ramiro Burr, “Tex-Mex Music” in World Music: The Rough Guide, (London, England: Penguin Group, 1994).

Michael Corcoran, “The Invisible Genius: Steve Jordan,” Journal of Texas Music History, Volume 3, Number 1, Spring 2003, 24-28.

Kay Council, “Exploratory Documentation of Texas Norteño-Conjunto Music,” (M.A. Thesis, University of Texas at Austin, 1978).

Dan Dickey, “Tejano Troubadours,” Texas Observer, (July 16, 1976).

Dan Dickey, “The Development of Musica Tejana: Guitarreros, Conjuntos and Orquestas Tejanas,” (Paper delivered at annual meeting of the Texas State Historical Association, March 2, 1984).

Carlos B. Gil, “Lydia Mendoza: Houstonian and First Lady of Mexican American Song,” Houston Review, III, Summer, 1981.

Carlos R. Guerra, “The Unofficial Conjunto Primer for the Uninitiated Music Lover, Revised,” Tonantzin 6 (2), 1989: 6-7.

José Angel Gutiérrez, “Chicano Music: Evolution and Politics to 1950,” in Lawrence Clayton and Joe W. Specht, eds., TheRoots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

José E. Limon, “Texas-Mexican Popular Music and Dancing: A Symbological Interpretation,” (unpublished manuscript, 1977).

Los Pastores trans. Carmelo Tranchese, music notation by Carmela Montalvo. (1949; reprint, San Antonio: Treviño, 1976).

Lydia Mendoza, “The Lark of the Border” published in Ethnic Recordings in America: A Neglected Heritage, (Washington, DC: American Folklife Center, 1982).

Américo Paredes, “José Mosqueda and the Folklorization of Actual Events,” Aztlán, IV, Spring, 1973.

Joe Nick Patoski, “Uno, Dos, One, Two, Tres, Quatro…,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 12-13.

Nelson G. Patrick, “The Status and Trends of Instrumental Music in the Lower Rio Grande Valley of Texas,” (M. Ed. Thesis, Texas Technological College, 1947).

Manuel H. Peña,”The Emergence of Texas-Mexican Conjunto Music, 1935-1960: An Interpretive History,” (Ph. D. Dissertation, University of Texas at Austin, 1981).

Manuel H. Peña, “The Emergence of Conjunto Music, 1935-1955,” in “And Other Neighborly Names”: Social Process and the Cultural Image in Texas Folklore, eds., Richard Bauman and Roger Abrahams, (Austin: University of Texas Press, 1981).

Manuel H. Peña, “Folksongs and Social Change: Two Corridos as Interpretive Sources,” Aztlán, XIII, Spring and Fall, 1982.

Manuel H. Peña, “From Rancho to Jaitón: Ethnicity and Class in Texas-Mexican Music,” Ethnomusicology, XXIX, Winter, 1985.

José R. Reyna, “Notes on Tejano Music,” Aztlán: International Journal of Chicano Studies Research, Volume 13, Numbers 1 and 2, Spring and Fall 1982, 82-83.

José R. Reyna, “Notes on Tejano Music,” Perspectives in Mexican American Studies, Vol. 1, 1988, 33-45.

José R. Reyna, “Tejano Music as an Expression of Cultural Nationalism” Aztlán, VI, 2, 1989, 24- 35.

José R. Reyna, “Tejano Music as an Expression of Cultural Nationalism,” Chicano Border Culture and Folklore, (San Diego, CA: Marin Publications, 1992, 175-180).

Francisco Arturo Rosales, “La Música de Houston: Fifty Years of Mexican American Music,” in The Americas Review: A Review of Hispanic Literature in the USA, Vol. 16, No. 1, Spring 1988.

Roberto Mario Salmon, “The Texas-Mexican Legacy: Puro Tejano” in Borderlands Journal, Vol. 10, No. 1, Fall, 1986, 39-50.

Guadalupe San Miguel, Jr., “Música Tejana: Nuestra Música,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 24-35.

Thomas Mitchell Scruggs, “Ay, Te Dejo en San Antonio: Conjunto, Anglos, and the Jiménez family of San Antonio,” (M.A. Thesis, University of Texas at Austin, 1985).

Hattie E. Zurfluh, “The Spanish Heritage in Texas,” (M.A. Thesis, Baylor University, 1933).

Jazz/Ragtime

Cameron Addis, “The Baptist Beat in Modern Jazz: Texan Gene Ramey in Kansas City and New York,” Journal of Texas Music History, Volume 4, Number 2, Fall 2004, 8-21.

Charles Gilbert Davis, “Turning the Tune in Texas: A Survey of Printed Texas Music from Plain Chant to Ragtime,” (M.A. Thesis, Stephen F. Austin University, 1984).

Frank S. Driggs, “Kansas City and the Southwest,” in Nat Hentoff and Albert J. McCarthy, eds., Jazz: New Perspectives on the History of Jazz, (New York: Rinehart & Co., 1959).

Glen Nicholas M. Evans, “Swingin’ and Boppin’ South Texas-Style: Toward an Understanding of the Corpus Christi Jazz Scene,” (M.A. Thesis, University of Texas at Austin, 1992).

Raoul Hernandez, “Equality: Harmolodicizing With Ornette Coleman,” The Austin Chronicle, November 12, 2004, available on-line at: www.austinchronicle.com/issues/dispatch/2004-11-12/music

George Hoefer, “Held Notes: Eddie Durham,” Down Beat, XXIX, July 19, 1962.

Louis J. Marchiafava, “A Feeling For Jazz: An Interview with Arnett Cobb” Houston Review, XII, No. 3, 1990.

Dave Oliphant, “Bebop Messengers to the World: Kenny Dorham and Leo Wright,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 15-23.

Dave Oliphant, “Eddie Durham and the Texas Contribution to Jazz History,” Southwestern Historical Quarterly, April 1993.

Dave Oliphant, “The Wisconsin-Texas Jazz Nexus,” Journal of Texas Music History, Volume 4, Number 1, Spring 2004, 8-17.

J. A. Siegel and J. Obrecht, “Eddie Durham: Charlie Christian’s Mentor, Pioneer of the Amplified Guitar,” Guitar Player, XIII, August 1979.

Lorenzo Thomas, “Milt Larkin: Houston Jazz Band Leader,” (paper delivered at Texas State Historical Association convention, March 5, 1998).

Rock & Roll

Stanley Alexander, “Janis and the Austin Scene,” in Legendary Ladies of Texas, Francis E. Abernethy, ed., (Denton: University of North Texas Press, 1994).

William J. Bush, “Buddy Holly,” Guitar Player, XVI, No. 6, June 1982.

Daniel McMillan Eggleston, “Portrait of a Young Artist: Shawn Phillips,” (Kingsville: M.A. Thesis, Texas A&I University, 1973).

Miriam Linna, “Bobby Fuller: Rock & Roll King of the Southwest,” Kicks No. 6, 1988.

David Lawrence Menconi, “Music, Media and the Metropolis: The Case of Austin’s Armadillo World Headquarters,” (M.A. Thesis, University of Texas at Austin, 1985).

Dave Oliphant, Kenny Dorham and Leo Wright: Texas Bebop Messengers to the World,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, 15-23.

Jan Reid, “Who Killed Redneck Rock?” Texas Monthly, IV, December 1976.

Jerome Rodnitzky, “Janis Joplin: The Hippie Blues Singer as Feminist Heroine,” Journal of Texas Music History, Volume 2, Number 1, Spring 2002, 7-15.

Assorted Ethnic Groups/General Interest

Theodore Albrecht, “German Music in Texas on the Eve of Crisis: The State Saengerfest of 1916,” in Dika Newlin, Friend and Mentor: A Birthday Anthology, ([n.p.], [n.d.]).

Theodore Albrecht, “German Singing Societies in Texas,” (Ph.D Dissertation, North Texas State University, 1975).

George Leslie Biffle, “A History of the Texas Music Educators Association, 1959-1979,” (D.M.A. Dissertation, Arizona State University, 1991).

Lilla Jean Brown, “Music in the History of Dallas, 1841-1900,” (M.A. Thesis: University of Texas at Austin, 1947).

Lew Lloyd Carter, Jr., “Raymond T. Barnum: His Contributions to Music Education in Texas,” (M.A. Thesis, Hardin-Simmons University, 1968).

Charles Gilbert Davis, “Turning the Tune in Texas: A Survey of Printed Texas Music from Plain Chant to Ragtime,” (M.A. Thesis, Stephen F. Austin University, 1984).

Sharrard H. Douglas, “A History of the San Antonio Symphony Orchestra,” (M.A. Thesis, Incarnate Word College, 1971).

Louis B. Engelke, “San Antonio’s First Music Teacher,” San Antonio Express Magazine, March 26, 1950.

Austin E. and Alta Stephens Fife, “Pug-Nosed Lil’ Girl with the Blue Velvet Band,” in Folklore of the Great West: Selections From 83 Years of the Journal of American Folklore, John Greeway, ed., (Palo Alto, CA: American West Publishing Co., 1970).

Silas Edwin George, “Music and Music Education in Abilene, Texas: 1881-1911,” (Ph.D. Dissertation, University of North Texas, 1983).

Nora Jean Goodreau, “The History of the Texas Woman’s University Music Therapy Program from 1957 to 1977,” (Ph.D. Dissertation, Texas Woman’s University, 1991).

Daniel Ross Grant, “The Texas Music Educators Association: A Historical Study of Selected Landmark Events Between 1938 and 1980 and the Decisions Which Influenced Their Outcomes,” (Ph.D. Dissertation, University of North Texas, 1989).

Constance Fenter Griffin, “A Literary History of Rains County,” (M.A. Thesis, East Texas State Teachers College, 1952).

Carolyn F. Griffith, “Czech and Polish Music in Texas Before World War II,” in Lawrence Clayton and Joe W. Specht, eds. TheRoots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

Oscar Haas, A Chronological History of the Singers of German Songs in Texas, (New Braunfels: [n.p.], 1948).

Martha Ann Rosborough Hallmark, “A Study of the Attitudes of Texas Public School Music Teachers Toward Their Profession,” (M.A. Thesis, University of Texas at Austin, 1956).

Lisa Carol Hardaway, “Sacred Harp Traditions in Texas,” (M.A. Thesis, Rice University, 1989).

Gary Hartman, “From Yellow Roses to Dixie Chicks: Women and Gender in Texas Music History,” in John Storey and Mary Kelley, eds., Twentieth-Century Texas: A Social and Cultural History, (Denton, Texas: University of North Texas Press, 2007).

Gary Hartman, “Texas Music in Europe,” Journal of Texas Music History, Volume 4, Number 1, Spring 2004, 33-41.

Jean Heide, “Celebrating Das Deutsche Lied in Texas,” Journal of Texas Music History, Volume 3, Number 2, Fall 2003, 29-38.

Jacques Henry, “From Acadien to Cajun to Cadien: Ethnic Labelization and Construction of Identity,” Journal of American Ethnic History, Volume 17, Number 4, Summer 1998, 29-62.

Gary. Hickinbotham, “A History of the Texas Recording Industry,” Journal of Texas Music History, Volume 4, Number 1, Spring 2004, 18-32.

Craig Hillis, “Cowboys and Indians: The International Stage,” Journal of Texas Music History, Volume 2, Number 1, Spring 2002, 17-30.

Jack Jackson, “Threadgill’s: The Comic Book,” in Threadgill’s: The Cookbook, (Atlanta, GA: Longstreet Press, 1996).

Phyllis Krantzman, “Impact of the Music Entertainment Industry on Austin, Texas,” (M.A. Thesis, University of Texas at Austin, 1983).

John Lahr, “Bill Hicks: Light Fantastic,” New Yorker, November 1, 1993.

James Langdon, “The True Chameleon is an Old World Lizard,” Chicago Review XVI, No. 1, 1974.

Mary Alice Lavender, “Social Conditions in Houston and Harris County, Music Topic,” (M.A. Thesis, Rice Institute, Houston, 1950).

Karen Elizabeth Linn, “The ‘Elevation’ of the Banjo in Late Nineteenth-Century America,” American Music, Volume 8, Number 4, Winter 1990, 441-464.

Bill Malone, “Texas Myth/Texas Music,” Journal of Texas Music History, Volume 1, Number 1, Spring 2001, pp. 4-11.

Robert Lincoln Marquis, “The Development of the Symphony Orchestra in Texas,” (M.A. Thesis, University of Texas at Austin, 1934).

Shirley Matterson, “The Past, Present, and Future of the Secondary School Applied Music Program of the State of Texas,” (M.A. Thesis, Hardin-Simmons University, 1984).

Lois Towles McNeely, “The History of Music Education at Wiley College,” (M.A. Thesis, State University of Iowa, 1942).

Kart Hagstrom Miller, “That’s Right, You’re Not From Texas: Exploring Some Outside Influences on Texas Music,” Journal of Texas Music History, Volume 1, Number 2, Fall 2001, 5-16.

Casey Monahan (ed.), “A Bibliography of Texas Music,” Southwestern Historical Quarterly, Volume XCVIII, No. 4, April 1995.

Kevin Mooney, “Texas Centennial 1936: Music and Identity,” (Ph.D. Dissertation, University of Texas at Austin, 1998).

Allen Olsen, “San Antonio’s West Side Sound,” Journal of Texas Music History, Volume 5, Number 1, Spring 2005, 26-39.

Harry Oster, “The Louisiana Acadians,” in Chris Strachwitz and Pete Welding, eds., The American Folk Music Occasional, (New York: Oak Publications, 1970).

Donald W. Pugh, “Music in Frontier Houston, 1836-1876,” (Ph.D. Dissertation, University of Texas at Austin, 1970).

Sandra Lee Salstrom, “A General Examination of Relationships Among Recording Musicians, the Music Industry and the American Federation of Musicians,” (Master’s Report: University of Texas at Austin, 1990).

Robert Seidenberg, “Death of a Comedian,” Entertainment Weekly, June 3, 1994.

Renee Rose Shield, “Dine and Dance: Country Music in Helotes, Texas,” (M.A. Thesis, University of Texas at Austin, 1973).

David Walter Sloan, “A Study of Administration and Organization of Extra-Curricular Orchestras in the State of Texas,” (M.M.E. Thesis, Midwestern University, 1964).

Wilson David Snodgrass, “Music Libraries and Collections in Texas,” (M.L.S. Thesis, University of Texas, 1954).

Hugh Cullen Sparks, “Stylistic Development and Compositional Processes of Selected Solo Singer/Songwriters in Austin, Texas,” (Ph. D Dissertation, University of Texas at Austin, 1984).

Adel Speiser, “The Story of the Theatre in San Antonio,” (M.A. Thesis, St. Mary’s University, 1948).

Lota M. Spell, “The Early German Contribution to Music in Texas,” American-German Review, Vol. 12, April 1946, Number 4, 8-10.

Chris Strachwitz, “Cajun Country,” in Chris Strachwitz and Pete Welding, eds., The American Folk Music Occasional, (New York: Oak Publications, 1970), 13-17.

Chris Strachwitz, “Texas Polka Music: Interview With Joe Patek,” in Chris Strachwitz and Pete Welding, eds., The American Folk Music Occasional, (New York: Oak Publications, 1970), 73-75.

Chris Strachwitz, “Zydeco Music, i.e., French Blues,” in Chris Strachwitz and Pete Welding, eds., The American Folk Music Occasional, (New York: Oak Publications, 1970), 22-24.

Paul Tate, “The Cajuns of Louisiana,” in Chris Strachwitz and Pete Welding, eds., The American Folk Music Occasional, (New York: Oak Publications, 1970), 8-12.

Texas Humanist; Volume 7, Number 6, July/August 1985, (Issue devoted to Texas music; contact Texas Committee for the Humanities, 512-440-1991).

Gary Paul Wilson, “Music Teacher Training in the Normal Schools and Teachers Colleges of Texas, 1879-1949,” (M.M. Thesis, Baylor University, 1986).

Dorman H. Winfrey, “Development of Music on the American Frontier,” Texana, Vol. 34, No. 4. Summer 1967.

Elizabeth Harrell Winter, “Music in Texas Since 1920,” (M.A. Thesis, Sul Ross State College, 1940).

Larry Wolz, “Roots of Classical Music in Texas: The German Contribution,” in Lawrence Clayton and Joe W. Specht, eds., The Roots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

Roger Wood, “Black Creoles and the Evolution of Zydeco in Southeast Texas: The Beginnings to 1950,” in Lawrence Clayton and Joe W. Specht, eds., The Roots of Texas Music, (College Station, Texas: Texas A&M University Press, 2003).

Roger Wood, “Southeast Texas: Hothouse of Zydeco,” Journal of Texas Music History, Volume 1, Number 2, Fall 2001, 23-44.

Originally Compiled by the Texas Music Office • Casey Monahan, Editor
© 1999, State of Texas, Office of the Governor, Texas Music Office

Updated by the Center for Texas Music History (2005)
Department of History
Texas State University
San Marcos, TX 78666

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